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Evening dresses designed by Racine, showcasing lace high-low-skirts. Art-Goût-Beauté, 1929. The high-low skirt has a full circle hem. However, the length varies from short in front to long in back. The style originates in Victorian era dresses and formal gowns, when the hem style became known as the "fishtail".
The resulting "princess seams" typically run vertically from the shoulder (or under the arm) over the bust point and down to the lower hem. This creates a long, slimming look, often seen in dresses with an "A-line" silhouette. Diagonal: An asymmetrical waistline that runs across the body diagonally. Usually the highest point is below the ...
Prom dresses, with hemlines varying from above-the-ankle (tea length) to floor length. The hemline is the line formed by the lower edge of a garment, such as a skirt, dress or coat, measured from the floor. [1] The hemline is perhaps the most variable style line in fashion, changing shape and ranging in height from hip-high to floor-length ...
They can be seen in women's clothing in art from Ancient Greece, and appeared in Parisian fashions in the 1910s-1920s, such as the dresses of designer Madeleine Vionnet. [1] Jean Patou followed Vionnet's lead, using the handkerchief hem to transition hemlines away from the shorter Flapper styles he had helped popularize, and towards the longer ...
Before the advent of school uniforms in Japan, students wore everyday clothes, which included hakama for men. In the Meiji period (1868–1912) and Taishō period (1912–1926), Western-style wear was adopted for school uniforms, [10] initially for both male and female uniforms. [11] However, at the time, Western women's dress was fairly ...
In the Middle Ages, men and women preferred dress-like garments. The lower part of men's dresses were much shorter in length compared to those for women. They were wide cut and often pleated or gored so that horse riding was more comfortable. Even a knight's armor had a short metal skirt below the breastplate. It covered the straps attaching ...
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The term was first used by the French couture designer Christian Dior as the label for his collection of spring 1955. [2] The A-Line collection's feature item, then the "most wanted silhouette in Paris", was a "fingertip-length flared jacket worn over a dress with a very full, pleated skirt".
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