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Havmannen, or Havmann (in English: "The Man from the Sea"), is a granite stone sculpture by the English artist Antony Gormley located in the city of Mo i Rana in northern Norway. The sculpture stands proud in the "Ranfjord" in the city of Mo i Rana, which is often referred to in Norway as "Polarsirkelbyen" (in English: the "Arctic Circle City
Sculpture by Igor Mitoraj visible from the boulevard that passes the museum The museum in its surroundings. Beelden aan Zee ("Images/sculptures by the sea") museum in the Scheveningen district of The Hague, founded in 1994 by the sculpture collectors Theo and Lida Scholten, is the only Dutch museum which specialises in only exhibiting sculpture.
Vicissitudes, Grenada Vicissitudes, Grenada Taylor's early work includes Vicissitudes, Grace Reef, The Lost Correspondent and The Unstill Life. [18] All of these artworks are located in the world's first public underwater sculpture park in the Caribbean Sea in Molinere Bay, Grenada, West Indies, [19] and situated in a section of coastline that was badly damaged by Hurricane Ivan in 2004.
The Sculpture by the Sea exhibition in Sydney and Perth is Australia's largest annual outdoor sculpture exhibition. This exhibition was initiated in 1997, at Bondi Beach and it featured sculptures by both Australian and overseas artists. In 2005, a companion event was established at Cottesloe Beach in Western Australia featuring over 70 artists ...
DeBris's "Inconvenience Store" was a joint recipients of the Allens People's Choice Award at the 2017 Sculpture By the Sea. [ 65 ] [ 66 ] The "Inconvenience Store" was also awarded with the Sydney Water Environmental Sculpture Subsidy for her work on water pollution and consumption, [ 67 ] and won the Waverley Council Mayor's Prize.
Huang Yong Ping was a contemporary artist and was a prominent member of the 1980s Chinese avant-garde movement. Born in 1954 in Xiamen, China , he lived in France from 1989, where he died in 2019. He favored the connection of heterogeneous meanings and often addressed the notions of mixing identity and culture. [ 3 ]
Gormley sees his landscape sculptures as a still point in a moving world. Over time, however, Exposure will also respond to changes in the environment. The artist predicts that because of Global warming and rising sea levels, the dam will have to be raised at some point, burying the work more and more. [6]
The cost of the sculpture was funded with a grant from the Friends of the Botanic Gardens, and sponsorship from Christchurch City Council Art in Public Spaces Fund. The NZ$700 per month [ 3 ] cost of maintenance for the sculpture (mainly to remove bird droppings) [ 4 ] is covered by the Christchurch City Council .