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Staind also uses this tuning (but with the 2nd string tuned up 1/2 step to emulate a 7-string guitar), as well as several other modified variations of this, such as one in which the 5th string is also dropped from D# to C#. Periphery also uses this tuning on a 7-string guitar frequently (G#-D#-g#-C#-F#-A#-D#). Drop G – G-D-g-C-E-A
D Tuning, also called One Step Lower, Whole Step Down, Full Step or D Standard, is another alternative. Each string is lowered by a whole tone (two semitones) resulting in D-G-C-F-A-D . It is used mostly by heavy metal bands to achieve a heavier, deeper sound, and by blues guitarists, who use it to accommodate string bending and by 12-string ...
"Zoltán Kodály" tuning: B 1 F ♯ 2 D 3 A 3 "Whole step down" tuning: B ♭ 1 F 2 C 3 G 3. Celo: 4 strings celovic celloses ginga Croatia Serbia Slovenia This is the modern instrument Čelovič, 4 string 4 strings 4 courses. E 2 A 2 D 3 G 3: Celo, Csello, Cselo Croatia, Serbia, Slovenia This is the modern instrument again Čelovič, Farkas 6 ...
A tuning is a sequence of pitches to which the strings are tuned. A stringing is a set of string gauges (and very occasionally other string parameters) that support one or more tunings. Just as many stringings support more than one tuning, so for many tunings there is more than one common stringing.
Also, for a 6-string guitar, drop A tuning is achieved by tuning all strings down a 4th with the lowest string tuned 1 additional step down as follows A1-E2-A2-D3-F#3-B3. This is a "drop 1" tuning in the key of B (i.e. tune the whole guitar down a perfect fourth from standard tuning , then tune the 6th string a whole step down).
Baritone (older use) / 6 string bass (older use) such as the Fender Bass VI – E 1 A 1 D 2 G 2 B 2 E 3 (Similar to a standard guitar but an octave lower, and often played like a standard guitar rather than a bass guitar.) Baritone guitar (contemporary versions) – B 1 E 2 A 2 D 3 F♯ 3 B 3 a fourth below standard tuning, although A 1 to A 3 ...
For 12 tone equally-tempered tuning, the fifths have to be tempered by considerably less than a 1 / 4 comma (very close to a 1 / 11 syntonic comma, or a 1 / 12 Pythagorean comma), since they must form a perfect cycle, with no gap at the end, whereas 1 / 4 comma meantone tuning, as mentioned above, has a residual ...
Maurice's Bb6 tuning is used by a relatively small number of players but is a powerful tuning for a player whose principal genre is western swing or jazz and for whom it is advantageous to be able to play the 'country licks' when the need arises. In [1] the first instance of the E9/B6 Universal Tuning was published. It was used by both authors ...