Search results
Results from the WOW.Com Content Network
It is widely considered one of the most difficult pieces ever written for the solo violin. It requires many highly advanced techniques such as parallel octaves and rapid shifting covering many intervals , extremely fast scales and arpeggios including minor scales , left hand pizzicato , high positions, and quick string crossings.
A Piece of PI for Solo Violin (2008) Ruggiero Ricci "Jeux interdits" Romance (arranged: from Anonimous) "Recuerdos de la Alhambra" for violin solo (transcription from: Francisco Tarrega) "La Cumparsita", Tango for solo violin (transcription from: Gerardo Matos Rodríguez / arranged by Vicente Zito / edited by Ricci) George Rochberg
Caprice No. 5 is one of 24 caprices for solo violin composed by virtuoso violinist Niccolò Paganini in the early 19th century. The piece is known for its fast tempo and technical difficulty. Paganini is said to have been able to play it on one string, but there is no evidence to support or refute this. [1]
Renardy had played the solo violin version of the 24 in his Carnegie Hall debut the previous October. In 1953, shortly before his untimely death, Renardy recorded the 24 again (on Paganini's Guarnieri del Gesù violin, 'Il Cannone'), in the same arrangement by David, with Eugene Helmer accompanying (2LPs, Remington R-99-146 & R-99-152). [7] [8]
Violin Concerto No. 1 in G minor, Op. 3 (1851), in one movement, dedicated to Franz Liszt; Violin Concerto No. 2 in D minor "in the Hungarian manner", Op. 11 (1861) Violin Concerto No. 3 in G major, WoO (1875) David Johnstone. The Four Seasons, for Violin solo and string orchestra (pub. 2008)
Download QR code; Print/export Download as PDF; ... Pages in category "Solo violin pieces" The following 15 pages are in this category, out of 15 total.
Washed Out’s latest song, “The Hardest Part,” was released Thursday, complete with a four-minute music video following a couple’s romance from high school through the rest of their adult ...
The music makes ample use of the violin's very high register, giving it a bel canto quality lacking in Locatelli's early work. [ 4 ] Each of the twelve concertos in L'arte del violino contained the traditional three movements, with the typical progression of two faster movements surrounding a slower, more contemplative middle movement.