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The Gravettian was an archaeological industry of the European Upper Paleolithic that succeeded the Aurignacian circa 33,000 years BP. [1] [4] It is archaeologically the last European culture many consider unified, [5] and had mostly disappeared by c. 22,000 BP, close to the Last Glacial Maximum, although some elements lasted until c. 17,000 BP. [2]
Some jade pendants also combined jades in the shape of dragons, phoenixes, humans, human-dragons, and animals, etc. [20] [21] [22] In the Qing dynasty, it was popular for women to wear green, translucent jade jewelries; pendants which were carved in the shape of a curving dragon was popular.
The most famous lusterweibchen design was a dragon chandelier carved by Veit Stoss according to a drawing by Albrecht Dürer. As an element of horn furniture, antlers are treasured by collectors and well suited for display. The combination of antler and a carved statue resulted in a perfect unit for decoration and room illumination.
Other pieces that women frequently wore were thin bands of gold that would be worn on the forehead, earrings, primitive brooches, chokers, and gold rings. Although women wore jewellery the most, some men in the Indus Valley wore beads. Small beads were often crafted to be placed in men and women's hair. The beads were about one millimetre long.
The strict division of the sexes, apparent in the policy that "men plow, women weave" (Chinese: 男耕女织), partitioned male and female histories as early as the Zhou dynasty, with the Rites of Zhou even stipulating that women be educated specifically in "women's rites" (Chinese: 陰禮; pinyin: yīnlǐ). [203]
The large variety and size of necklaces, bracelets, anklets, pendants, and pins found may be due to the fact that jewellery was worn by both men and women, and perhaps even children. Pair of earrings; 2600–2500 BC; gold; Metropolitan Museum of Art
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