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Little One" is a song written by Cole Porter for the 1956 film High Society, where it was introduced by Bing Crosby. Sol C. Siegel, the producer of the film High Society, paid Cole Porter $250,000 for his first original film score in eight years. Besides Louis Armstrong, the cast included Bing Crosby, Frank Sinatra, Grace Kelly and Celeste Holm ...
The song, written by Jule Styne with lyrics by Herbert Magidson, tells of the culturally improbable love affair between a "handsome young Irish lad" and his "Mexican beauty." It was featured in the movie Priorities on Parade (1942) when it was performed by Jerry Colonna and Johnnie Johnston .
Only Forever" was written by James V. Monaco and Johnny Burke, initially intended for the 1940 Crosby film If I Had My Way, but it was eventually used in Crosby's next film project, Rhythm on the River [2] and the song was nominated for the Academy Award for Best Original Song.
"One More Time" is a popular song, one of the last written by the songwriting team of DeSylva, Brown, and Henderson. It was published in 1931. It was the last song recorded by Bing Crosby as a big band singer, before becoming a soloist. Crosby recorded the song for Victor Records with Gus Arnheim and his orchestra on March 2, 1931. [1]
Bing Crosby - Decca single, recorded August 29, 1945 with Jimmy Dorsey and His Orchestra. [3] This charted briefly in 1946. Benny Goodman & his Orchestra with vocal by Liza Morrow, (Columbia single, 1945). This also charted briefly in 1946. [4] Wes Montgomery – One Night in Indy-Resonance- Recorded live in 1959 (released 2016)
The writer, Gary Giddins commenting on the session said "Best of all is "My Kinda Love," a flimsy song that he projects stirringly without a trace of the frangible crooning style." [ 4 ] Crosby re-recorded the song a few weeks later on March 14, 1929 with a trio for Columbia Records and this was the first occasion that he would be top-billed on ...
We finally—finally—made it to the end of the year. And though the music releases have gone from summer’s deluge to a steady trickle, that doesn’t mean there aren’t some great new songs ...
The song was nominated for "Best Song" in 1946 but lost out to "On the Atchison, Topeka and the Santa Fe". [2] Dinah Shore's version was biggest in the US reaching the No. 5 spot, while Crosby's version (recorded July 18, 1946) [3] peaked at No. 12. Jo Stafford also had chart success with it and her version achieved the No.11 position. [4]
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