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Carter Stanley joined the Blue Grass Boys as guitarist for a short time in 1951 during a period when The Stanley Brothers had temporarily disbanded. On January 16, 1953, Monroe was critically injured in a two-car wreck. [1] He and "Bluegrass Boys" bass player, Bessie Lee Mauldin, were returning home from a fox hunt north of Nashville. On ...
Aired music videos from various artists from around the world; purchased and shut down by Hubbard Broadcasting in 2008 to expand distribution for Ovation TV. m Channel: Aired syndicated music videos, TV shows, movies and news. Was folded under decision of the owner/creator of the network. MOR Music TV: August 31, 1997: Launched on September 1 ...
Larry Richardson (August 9, 1927- June 17, 2007) [1] was an American bluegrass and old time banjoist and guitarist from Galax, Virginia. [2] He is known for his work with the Lonesome Pine Fiddlers, Bill Monroe and His Bluegrass Boys, and the Blue Ridge Boys.
Amos Garren started his career with Bill Monroe & The Bluegrass Boys in August 1939, after "Snowball" Millard left the band in July to be with his wife who was expecting a baby. [3] The band praised Garren for his singing abilities. The band's gospel songs were given more attention by listeners because of the quartet style in which they were ...
Retrieved from "https://en.wikipedia.org/w/index.php?title=Bill_Monroe_%26_the_Bluegrass_Boys&oldid=134013601"
Members of the American bluegrass band the Blue Grass Boys, led by Bill Monroe. Pages in category "Blue Grass Boys members" The following 27 pages are in this category, out of 27 total.
Flatt and Scruggs were an American bluegrass duo. Singer and guitarist Lester Flatt and banjo player Earl Scruggs, both of whom had been members of Bill Monroe's band, the Bluegrass Boys, from 1945 to 1948, formed the duo in 1948. Flatt and Scruggs are viewed by music historians as one of the premier bluegrass groups in the history of the genre ...
In 1963 he became a member of Bill Monroe's Bluegrass Boys. [2] Keith's recordings and performances during these nine months with Monroe permanently altered banjo playing, and his style became an important part of the playing styles of many banjoists. After leaving the Bluegrass Boys, he joined the Jim Kweskin Jug Band playing plectrum banjo. [1]