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  2. Arpeggio - Wikipedia

    en.wikipedia.org/wiki/Arpeggio

    Arpeggios are an important part of jazz improvisation. On guitar, sweep-picking is a technique used for rapid arpeggiation, which is most often found in rock music and heavy metal music. Along with scales, arpeggios are a form of basic technical exercise that students use to develop intonation and technique. They can also be used in call and ...

  3. Étude Op. 10, No. 11 (Chopin) - Wikipedia

    en.wikipedia.org/wiki/Étude_Op._10,_No._11_(Chopin)

    Excerpt from the beginning of Étude Op. 10, No. 11. Étude Op. 10, No. 11, in E ♭ major, is a technical study composed by Frédéric Chopin.It is sometimes known as the "Arpeggio" or "Guitar" Étude.

  4. Classical guitar technique - Wikipedia

    en.wikipedia.org/wiki/Classical_guitar_technique

    Free-stroke , in which the finger does not land on the string behind, but, rather, continues until the energy of the stroke is dissipated. Rest stroke is useful for single-line melody playing. Free-stroke is mainly used in arpeggio ("broken-chord") playing. They are often combined to provide contrasting voices, between melody and harmony.

  5. Lead guitar - Wikipedia

    en.wikipedia.org/wiki/Lead_guitar

    To create lead guitar lines, guitarists use scales, modes, arpeggios, licks, and riffs that are performed using a variety of techniques. [1] In rock, heavy metal, blues, jazz and fusion bands and some pop contexts as well as others, lead guitar lines often employ alternate picking, sweep picking, economy picking and legato (e.g., hammer ons, pull offs), which are used to maximize the speed of ...

  6. Arpeggione - Wikipedia

    en.wikipedia.org/wiki/Arpeggione

    The body shape of the arpeggione is, however, more similar to a medieval fiddle than either the guitar or the bass viol. It is essentially a bass viol with a guitar-type tuning, E–A–d–g–b–e' . The arpeggione is especially suited to playing runs in thirds, double stops, and arpeggios. [1]

  7. Étude No. 2 (Villa-Lobos) - Wikipedia

    en.wikipedia.org/wiki/Étude_No._2_(Villa-Lobos)

    Étude No. 2 is a study in slurred notes and arpeggios, developing a musical idea by Dionisio Aguado. A passage of great fingering difficulty occurs at the end, where Villa-Lobos combines harmonics and normal notes.

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