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Tempo rubato (Italian for 'stolen time'; UK: / ˈ t ɛ m p oʊ r ʊ ˈ b ɑː t oʊ /, US: / r uː-/, [1] [2] Italian: [ˈtɛmpo ruˈbaːto];) is a musical term referring to expressive and rhythmic freedom by a slight speeding up and then slowing down of the tempo of a piece at the discretion of the soloist or the conductor.
Many musical terms are in Italian because, in Europe, the vast majority of the most important early composers from the Renaissance to the Baroque period were Italian. [citation needed] That period is when numerous musical indications were used extensively for the first time. [1]
All; all together, usually used in an orchestral or choral score when the orchestra or all of the voices come in at the same time, also seen in Baroque-era music where two instruments share the same copy of music, after one instrument has broken off to play a more advanced form: they both play together again at the point marked tutti.
Mass – Sacred musical composition of the Eucharistic liturgy. Missa brevis – Short mass composition, where part of the text of the Mass ordinary is left out, or its execution time is relatively short. Missa solemnis – Solemn mass composition, often elaborate and extended. Requiem – Mass for the dead set to music.
Most of the technical vocabulary of classical music (such as concerto, allegro, tempo, aria, opera, and soprano) is borrowed from Italian, [13] and that of ballet from French. [14] Much of the terminology of the sport of fencing also comes from French. Many loanwords come from prepared food, drink, fruits, vegetables, seafood and more from ...
The term is borrowed from the terminology of poetry. Anacruses may involve fine details such as rhythm and phrasing or may involve wider features such as musical form (such as when used repeatedly). Very often, a melodic line will start with what is referred to as an anacrusis. An anacrusis is an unstressed pickup or lead-in note or group of ...
In Western classical music, obbligato (Italian pronunciation: [obbliˈɡaːto], also spelled obligato [1]) usually describes a musical line that is in some way indispensable in performance. Its opposite is the marking ad libitum. It can also be used, more specifically, to indicate that a passage of music was to be played exactly as written, or ...
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or tempi from the Italian plural), measured in beats per minute, is the speed or pace of a given composition, and is often also an indication of the composition's character or atmosphere.