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A scene from the Bayeux Tapestry depicting Bishop Odo rallying Duke William's army during the Battle of Hastings in 1066. The Bayeux Tapestry [a] is an embroidered cloth nearly 70 metres (230 feet) long and 50 centimetres (20 inches) tall [1] that depicts the events leading up to the Norman Conquest of England in 1066, led by William, Duke of Normandy challenging Harold II, King of England ...
The Bayeux Tapestry tituli are Medieval Latin captions that are embroidered on the Bayeux Tapestry and describe scenes portrayed on the tapestry. These depict events leading up to the Norman conquest of England concerning William, Duke of Normandy, and Harold, Earl of Wessex, later King of England, and culminating in the Battle of Hastings.
Bayeux (UK: / b aɪ ˈ j ɜː, b eɪ-/, US: / ˈ b eɪ j uː, ˈ b aɪ-/ B(A)Y-yoo; French pronunciation: ⓘ) is a commune in the Calvados department in Normandy in northwestern France.. Bayeux is the home of the Bayeux Tapestry, which depicts the events leading up to the Norman Conquest of England in 1066.
Bayeux Cathedral, also known as Cathedral of Our Lady of Bayeux (French: Cathédrale Notre-Dame de Bayeux), is a Roman Catholic church located in the town of Bayeux in Normandy, France. A national monument , it is the seat of the Bishop of Bayeux and Lisieux and was probably the original home of the Bayeux Tapestry , still preserved nearby.
The oldest surviving English embroideries include items from the early 10th century preserved in Durham Cathedral and the 11th century Bayeux Tapestry, if it was worked in England. The professional workshops of Medieval England created rich embroidery in metal thread and silk for ecclesiastical and secular uses.
Guy capturing Harold, scene 7 of the Bayeux Tapestry Harold swearing the oath, scene 23 of the Bayeux Tapestry In 1064, Harold Godwinson, the Earl of Wessex, was shipwrecked on the shores of Ponthieu and captured by Count Guy who took him to his castle of Beaurain on the river Canche, as the Bayeux Tapestry relates: hic apprehendit wido Haroldum et duxit em ad Belrem et ibi eum tenuit ("Here ...
Such depictions also appear in manuscript illustrations and in the embroidered Bayeux Tapestry. [4] However, the artists may have been following artistic conventions concerning the depiction of warriors and weapons rather than accurately portraying the use of such items in their society.
Bayeux Tapestry created by the Leek Embroidery Society on display at Reading Museum, 2019. By 1885, thirty-seven ladies of the Leek School of Art Embroidery Society began work on a replica of the Bayeux Tapestry. [10] Elizabeth had seen the real Bayeux Tapestry while at an exhibition and believed that Britain should have its own version.