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Kaku obi are most commonly made of hakata-ori [17]), but can also be made from silk pongee (known as tsumugi), silk gauze and heavier, brocade-type weaves of silk. [28] A variety of obi knots exist for the kaku obi, and it is most commonly worn in the kai-no-kuchi knot. Odori obi (踊帯, "dance obi) are also worn
Nishijin-ori fukuro obi showing a woven scene with aristocrats Detail of Nō robe from Nishijin, silk with gilded paper, Edo period. Nishijin-ori (西陣織, lit. ' Nishijin fabric ') is a traditional textile produced in the Nishijin (西陣) district of Kamigyō-ku in Kyoto, Japan.
Kenjo hakata-ori is woven in a traditional pattern related to Buddhist beliefs, and was influenced by fabrics produced in Sui dynasty China. [vague] Mon ori hakata-ori is the name used for hakata-ori containing multi-coloured designs. [2] Hakata-ori is most commonly found as the material for men's obi, though both men and women wear hakata-ori obi.
The obi-age has the dual purpose of hiding the obi-makura and providing a colour contrast against the obi. Obi-age are often silk, and are typically worn with more formal varieties of kimono. Obi-age can be plain-dyed silk, but are often decorated with shibori tie-dyeing; for maiko, obi-age are only ever red with a gold or silver foil design.
Both kimono and obi are made from a wide variety of fibre types, including hemp, linen, silk, Japanese crêpe (known as chirimen), and figured damask weaves . Fabrics are typically – for both obi and kimono – woven as tanmono (bolts of narrow width), save for certain types of obi (such as the maru obi), woven to double-width. Formal kimono ...
Formal tateya musubi obi knot. Up until the 15th century the vast majority of kimono worn by most people were made of hemp or linen, and they were made with multiple layers of materials. [35] Today, kimono can be made of silk, silk brocade, silk crepes (such as chirimen) and satin weaves (such as rinzu). [35]
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