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Decasyllabic quatrain is a poetic form in which each stanza consists of four lines of ten syllables each, usually with a rhyme scheme of AABB or ABAB. Examples of the decasyllabic quatrain in heroic couplets appear in some of the earliest texts in the English language, as Geoffrey Chaucer created the heroic couplet and used it in The Canterbury Tales. [1]
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick:
Rhyming couplets are one of the simplest rhyme schemes in poetry. Because the rhyme comes so quickly, it tends to call attention to itself. Good rhyming couplets tend to "explode" as both the rhyme and the idea come to a quick close in two lines. Here are some examples of rhyming couplets where the sense as well as the sound "rhymes":
Sonnet 116 is an English or Shakespearean sonnet.The English sonnet has three quatrains, followed by a final rhyming couplet.It follows the typical rhyme scheme of the form abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions.
Sonnet 29 follows the same basic structure as Shakespeare's other sonnets, containing fourteen lines and written in iambic pentameter, and composed of three rhyming quatrains with a rhyming couplet at the end. It follows the traditional English rhyme scheme of abab cdcd efef gg — though in this sonnet the b and f rhymes happen to be identical ...
Typically English sonnets present a problem or argument in the quatrains, and a resolution in the final couplet. [2] This sonnet suggests this pattern, but its rhetorical structure is more closely modeled upon the older Petrarchan sonnet which arranges the octave (the first eight lines) in contrast to the sestet (the final six lines).
A quatrain is a type of stanza, or a complete poem, consisting of four lines. [1]Existing in a variety of forms, the quatrain appears in poems from the poetic traditions of various ancient civilizations including Persia, Ancient India, Ancient Greece, Ancient Rome, and China, and continues into the 21st century, [1] where it is seen in works published in many languages.
The first and second quatrains both open with a rather unassertive initial inversion; the 5th line also exhibits a rightward movement of the third ictus (resulting in a four-position figure, × × / /, sometimes referred to as a minor ionic): / × × / × × / / × / Then, in the blazon of sweet beauty's best, (106.5)