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Metropolitan Museum of Art, New York, United States: Oil and gold on panel 169,5 x 168,9 c. 1504 The Agony in the Garden [Wikidata] Metropolitan Museum of Art, New York, United States: Oil on panel 24,1 x 28,9 Lamentation over the Dead Christ (Raphael) [Wikidata] Isabella Stewart Gardner Museum, Boston, United States: Oil on panel 23,5 x 28,8 c ...
The painting possesses an esthetic influence from Pinturicchio and Melozzo da Forlì, though the spatial orchestration of the work, with its tendency to movement, shows Raphael's knowledge of the Florentine artistic milieu of the 16th century. [2] The work was acquired by the São Paulo Museum of Art in 1954.
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The Miraculous Draught of Fishes St Paul Preaching in Athens A rare display of the tapestries in the Sistine Chapel, 2011 Christ's Charge to Peter. The Raphael Cartoons are seven large cartoons for tapestries, surviving from a set of ten cartoons, designed by the High Renaissance painter Raphael in 1515–1516.
Agnolo Doni married Maddalena Strozzi in 1503, but Raphael's portraits were probably executed in 1506, the period in which the painter studied the art of Leonardo da Vinci most closely. The composition of the portraits resembles that of the Mona Lisa : the figures are presented in the same way in respect to the picture plane, and their hands ...
The work is remembered by Renaissance art biographer Giorgio Vasari as property of a Bolognese nobleman, Vincenzo Ercolani. There is trace of payment by him to Raphael for 8 ducats in 1510, but this is generally considered just a down payment, since stylistically the work (inspired for example by Michelangelo's Sistine Chapel ceiling) cannot be dated before 1518.
A litter of two-week old puppies was crammed into a bucket and abandoned alongside a road in Union County, New Jersey on Thursday, police said. The nine puppies were found inside a five-gallon ...
The identity of the man portrayed before Raphael is unknown. Traditionally he was identified as his fencing master, since he holds the hilt of a sword. [4] Modern art historians consider him a close friend, [5] or possibly one of the painter's pupils, perhaps Polidoro da Caravaggio or Giulio Romano.