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Saint-Lazare is the third busiest station in France, after the Gare du Nord and Gare de Lyon. [2] It handles 290,000 passengers each day. The current station building opened in 1889 and was designed by architect Juste Lisch ; the maître d'œuvre (general contractor) was Eugène Flachat .
Haussmann–Saint-Lazare station (French pronunciation: [osman sɛ̃ lazaʁ]) is a station on the RER in Paris, France.Opened on 14 July 1999 as the terminus of the new Line E, it is situated beneath Boulevard Haussmann and directly connected to Gare Saint-Lazare, Auber, and two metro stations.
Autun Cathedral (Cathédrale Saint-Lazare d'Autun), Autun, France Topics referred to by the same term This disambiguation page lists articles associated with the title Saint-Lazare .
The station is located near the Paris-Saint-Lazare station, with eight platforms serving four lines. The platforms for Line 3 are located under the Cour de Rome, along the northeast / southeast axis of Rue de Rome, just above the tunnel for Line 13.
The Cathedral of Saint Lazarus of Autun (French: Cathédrale Saint-Lazare d'Autun), commonly known as Autun Cathedral, is a Roman Catholic cathedral in Autun and a national monument of France. Famous for its Cluniac inspiration and its Romanesque sculptures by Gislebertus, it is a highlight of Romanesque art [1] in Burgundy.
Transilien Paris-Saint-Lazare is one of the sectors in the Paris Transilien suburban rail network. The trains on this sector depart from Gare Saint-Lazare in central Paris and serve the north and north-west of Île-de-France region with Transilien lines "J" and "L".
A special commission had found that the Réseau État Saint-Lazare was in need of electrification on the railway lines to Saint-Germain, Versailles Rive Droite, Saint-Nom-la-Bretèche, Puteaux, Issy-les-Moulineaux and Argenteuil. The Chemins de fer de l'Ouest and then the Chemin de fer de l'État from 1909 had worked towards that goal by ...
Behind the Gare Saint-Lazare (1932). Behind the Gare Saint-Lazare is a black and white photograph taken by French photographer Henri Cartier-Bresson in Paris in 1932. The photograph has been printed at variable dimensions; the print donated by Cartier-Bresson to the Museum of Modern Art is listed at 35.2 × 24.1 cm. [1] It is one of his best known and more critically acclaimed photographs and ...