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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Musical Symbols is a Unicode block containing characters for representing modern musical notation.Fonts that support it include Bravura, Euterpe, FreeSerif, Musica and Symbola.
Because of that, all notes with these kinds of relations can be grouped under the same pitch class and are often given the same name. The top note of a musical scale is the bottom note's second harmonic and has double the bottom note's frequency. Because both notes belong to the same pitch class, they are often called by the same name.
The duration (note length or note value) is indicated by the form of the note-head or with the addition of a note-stem plus beams or flags. A stemless hollow oval is a whole note or semibreve, a hollow rectangle or stemless hollow oval with one or two vertical lines on both sides is a double whole note or breve.
All note letter-names in this section refer to the bass clef; the notes remain in the same physical locations when the neutral clef is used. Rolls: Diagonal lines across the note stem (or above a whole note). Usually three diagonal lines denote a roll, whereas fewer would be interpreted as measured subdivisions of the note (two lines for ...
Wood block: Unpitched 111.24 Idiophone Wood scraper block: Temple blocks: China Both 111.24 Idiophone [5] [8] Xylophone: Ghana, Uganda, Zambia Pitched 111.212 Idiophone The xylophone is a musical instrument in the percussion family that consists of wooden bars struck by mallets Xylorimba: Pitched 111.212 Idiophone Yanggeum: Korea Pitched ...
A block chord is a chord or voicing built directly below the melody either on the strong beats or to create a four-part harmonized melody line in "locked-hands" [1] rhythmic unison with the melody, as opposed to broken chords. This latter style, known as shearing voicing, was popularized by George Shearing, but originated with Phil Moore. [1]
Fokker periodicity blocks are a concept in tuning theory used to mathematically relate musical intervals in just intonation to those in equal tuning. They are named after Adriaan Daniël Fokker . These are included as the primary subset of what Erv Wilson refers to as constant structures, where "each interval occurs always subtended by the same ...
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