Search results
Results from the WOW.Com Content Network
Scythian women wore armor, loose pants, and were often depicted with bows and arrows. Scythian women fought, hunted, rode horses, used bows and arrows, just like the men. In one-third of the ancient Scythian burial mounds, women have weapons and war injuries just like the men. They also buried the women with knives and daggers and tools.
The name Melanchlaeni is a Latinisation of the ancient Greek name Melankhlainoi (Ancient Greek: Μελάγχλαινοι), which meant "Black-Cloaks." [2]The Greek name might have been a translation of an ancient Iranic name [3] meaning "those who wear black garments," [4] whose later form, Sawdarata, was recorded in Ancient Greek as Saudaratai (Ancient Greek: Σαυδαραται; Latin ...
The "sp" in the name suggests [citation needed] that it was mediated through Iranian sources to Greek, indeed in Early Iranian Arimaspi combines Ariama (love) and aspa (horses). Herodotus or his source seems to have understood the Scythian word as a combination of the roots arima ("one") and spou ("eye") and to have created a mythic image to ...
Clothing in ancient Greece refers to clothing starting from the Aegean bronze age (3000 BCE) to the Hellenistic period (31 BCE). [1] Clothing in ancient Greece included a wide variety of styles but primarily consisted of the chiton , peplos , himation , and chlamys . [ 2 ]
Dacian prisoner with Phrygian cap, Roman statue from the 2nd century.. The Phrygian cap (/ ˈ f r ɪ dʒ (iː) ən / ⓘ FRIJ-(ee)-ən), also known as Thracian cap [1] [2] [3] and liberty cap, is a soft conical cap with the apex bent over, associated in antiquity with several peoples in Eastern Europe, Anatolia, and Asia.
Coat covered with gold-decorated scales of the pangolin. India, Rajasthan, early 19th century Dacian scale armour on Trajan's column. Scale armour is an early form of armour consisting of many individual small armour scales (plates) of various shapes attached to each other and to a backing of cloth or leather in overlapping rows. [1]
Scythian art stopped existing after the end of the Pontic Scythian kingdom in the early 3rd century BC, and the art of the later Scythians of Crimea and Dobruja was completely Hellenised, with the paintings and sculptures from Scythian Neapolis belonging to the Greek artistic tradition and having probably been made by Greek sculptors.
The Scythian genealogical myth was an epic cycle of the Scythian religion detailing the origin of the Scythians.This myth held an important position in the worldview of Scythian society, and was popular among both the Scythians of the northern Pontic region and the Greeks who had colonised the northern shores of the Pontus Euxinus.