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  2. Mathematical beauty - Wikipedia

    en.wikipedia.org/wiki/Mathematical_beauty

    Mathematical beauty is the aesthetic pleasure derived from the abstractness, purity, simplicity, depth or orderliness of mathematics. Mathematicians may express this pleasure by describing mathematics (or, at least, some aspect of mathematics) as beautiful or describe mathematics as an art form, (a position taken by G. H. Hardy [ 1 ] ) or, at a ...

  3. Japanese aesthetics - Wikipedia

    en.wikipedia.org/wiki/Japanese_aesthetics

    All of these disciplines carry an ethical and aesthetic connotation and teach an appreciation of the process of creation. [8] To introduce discipline into their training, Japanese warriors followed the example of the arts that systematized practice through prescribed forms called kata —think of the tea ceremony.

  4. Aestheticism - Wikipedia

    en.wikipedia.org/wiki/Aestheticism

    Aestheticism (also known as the aesthetic movement) was an art movement in the late 19th century that valued the appearance of literature, music, fonts and the arts over their functions. [ 1 ] [ 2 ] According to Aestheticism, art should be produced to be beautiful, rather than to teach a lesson , create a parallel , or perform another didactic ...

  5. Aesthetic emotions - Wikipedia

    en.wikipedia.org/wiki/Aesthetic_emotions

    Aesthetic emotions are emotions that are felt during aesthetic activity or appreciation. These emotions may be of the everyday variety (such as fear, wonder or sympathy) or may be specific to aesthetic contexts. Examples of the latter include the sublime, the beautiful, and the kitsch. In each of these respects, the emotion usually constitutes ...

  6. Aesthetics - Wikipedia

    en.wikipedia.org/wiki/Aesthetics

    Aesthetics (also spelled esthetics) is the branch of philosophy concerned with the nature of beauty and the nature of taste and, in a broad sense, incorporates the philosophy of art. [1]

  7. Art - Wikipedia

    en.wikipedia.org/wiki/Art

    Richard Wollheim distinguishes three approaches to assessing the aesthetic value of art: the Realist, whereby aesthetic quality is an absolute value independent of any human view; the Objectivist, whereby it is also an absolute value, but is dependent on general human experience; and the Relativist position, whereby it is not an absolute value ...

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