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Statue of La Llorona on an island of Xochimilco, Mexico, 2015. La Llorona (Latin American Spanish: [la ʝoˈɾona]; ' the Crying Woman, the Weeping Woman, the Wailer ') is a vengeful ghost in Mexican folklore who is said to roam near bodies of water mourning her children whom she drowned in a jealous rage after discovering her husband was unfaithful to her.
Drawing of the La Llorona. A well-known example in Chicano folklore is La Llorona, the weeping woman.There are varying different variations of La Llorona. One common account is that she is the ghost of a murderous mother who haunts near water like river banks or lake shores.
Variants of the Llorona legend are told throughout Mexico and because of the Llorona figure can be pitied and feared at the same time. [15] Throughout all of the versions, the Llorona figure is known as "the white lady" because she wears white. [15] Legends similar to La Llorona include La Malinche and La Xtabay.
These stories typically serve to teach moral lessons. For example, La Llorona warns mothers against infanticide, while La Segua discourages men from infidelity. Similarly, the headless priest legend serves as a warning against those that would profane against the holy, or "touch God with dirty hands (Spanish: tocan a Dios con las manos sucias )".
The title story is a modern version of the legend of La Llorona. [20] Hasta el viento tiene miedo (Even the Wind has Fear or Even the Wind is Scared) is a 1968 Mexican horror film, written and directed by Carlos Enrique Taboada. The film is about a ghost that seeks revenge in a school for girls.
Variations of the story exist, but in almost all of them, the spirit is a type of shapeshifter who exclusively preys on men. Name variations include Cihuanaba, Ciguanaba, and Ciguapa. La Llorona, or The Wailer, is an extremely widespread folklore story within Latin American countries. [26]
Japanese urban legends, enduring modern Japanese folktales; La Llorona, the ghost of a woman in Latin American folklore; Madam Koi Koi, an African urban legend about the ghost of a dead teacher; Ouni, a Japanese yōkai with a face like that of a demon woman (kijo) torn from mouth to ear
This production takes inspiration from Euripides' Medea, but does not mimic it, balancing "elements of the Greek story with the Mexican La Llorona and the Aztec goddess Coatlicue" (Eschen). VIVIS highlighted Medea's characterization of agony and despair.