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Tone control is a type of equalization used to make specific pitches or frequencies in an audio signal softer or louder. It allows a listener to adjust the tone of the sound produced by an audio system to their liking, for example to compensate for inadequate bass response of loudspeakers or earphones, tonal qualities of the room, or hearing impairment.
A speaker L pad is a special configuration of rheostats used to control volume while maintaining a constant load impedance on the output of the audio amplifier. [1] It consists of a parallel and a series rheostat connected in an "L" configuration.
Envelope generators, which allow users to control the different stages of a sound, are common features of synthesizers, samplers, and other electronic musical instruments. The most common envelope generator is controlled with four parameters: attack , decay , sustain and release ( ADSR ).
A diagram showing the wiring of a Gibson Les Paul electric guitar. Shown are the humbucker pickups with individual tone and volume controls (T and V, respectively), 3-way pickup selector switch, tone capacitors that form a passive low-pass filter, the output jack and connections between those components. The top right shows a modification that ...
Alternatively, one rear speaker can be used on its own. This is the type of quad setup used by Seeburg jukeboxes that had quadraphonic sound. [ citation needed ] The Hafler circuit is capable of partially decoding a Dolby Surround track since both share the same operating principles (based on sound phase differences).
A horn loudspeaker is a loudspeaker or loudspeaker element which uses an acoustic horn to increase the overall efficiency of the driving element(s). A common form (right) consists of a compression driver which produces sound waves with a small metal diaphragm vibrated by an electromagnet, attached to a horn, a flaring duct to conduct the sound waves to the open air.
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During the late 1920s to mid-1930s, small portable PA systems and guitar combo amplifiers were fairly similar. These early amps had a "single volume control and one or two input jacks, field coil speakers" and thin wooden cabinets; remarkably, these early amps did not have tone controls or even an on-off switch. [14]