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In the first, Frances and the Leaping Fairy, Frances is shown in profile with a winged fairy close by her nose. The second, Fairy offering Posy of Harebells to Elsie, shows a fairy either hovering or tiptoeing on a branch, and offering Elsie a flower. Two days later the girls took the last picture, Fairies and Their Sun-Bath. [21]
The work of art itself is in the public domain for the following reason: Public domain Public domain false false This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .
Normally given wings in art, angels are usually intended, in both Christian and Islamic art, to be beautiful, though several depictions go for more awe-inspiring or frightening attributes, notably in the depiction of the living creatures (which have bestial characteristics), ophanim (which are wheels) and cherubim (which have mosaic features ...
Virgin and Child with Six Angels and the Baptist: c. 1485: Tempera on panel: diameter 170 cm: Rome, Galleria Borghese: The Virgin and Child: c. 1485: Oil on panel: 83.2 × 55.5 cm: New Heaven, Yale University Art Gallery: Madonna Adoring the Child with Five Angels: 1485–1490: Tempera on panel: diameter 132.7 cm: Baltimore Museum of Art ...
Alice meets the White Rabbit, by Margaret Winifred Tarrant, 1916. Margaret Winifred Tarrant (19 August 1888 – 29 July 1959) was an English illustrator, and children's author, specializing in depictions of fairy-like children and religious subjects.
Arthur Rackham art at Art Passions (free online gallery) SurLaLune Fairy Tale Pages: Fairy Tale Illustrations of Arthur Rackham Archived 6 February 2007 at the Wayback Machine; Arthur Rackham artwork at American Art Archives web site; Complete Arthur Rackham Collection for 'The Ring of the Nibelung' Information about Arthur Rackham and his art
Pen and brown ink with brush and brown wash, with touches of opaque white watercolor, on cream laid paper: 14.3 x 16.8 cm: Museum of Fine Arts, Boston: The drawing is related to the etching B158 : Three Men Being Beheaded: c. 1640: Pen and brown ink, corrected with white; framing lines in pen and brown ink: 15.3 x 22.6 cm: British Museum, London
The Ox and Angel are positioned behind the throne and peer outwards, according to the Blake collector W. Graham Robertson, "dimly [and] half hidden in the pale crimson and violet rays which emanate from the central figure, and shoot up to meet and be absorbed in the over-arching rainbow."
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