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History of the Dance in Art and Education. Pearson Education. ISBN 0-13-389362-6. Dils, A. (2001). Moving History/Dancing Cultures: A Dance History Reader. Wesleyan University Press. ISBN 0-8195-6413-3. Wallace, Carol McD.; et al. (1986). Dance: a very social history. New York: The Metropolitan Museum of Art. ISBN 9780870994869. Wood, Melusine ...
Ethnochoreology (also dance ethnology, dance anthropology) is the study of dance through the application of a number of disciplines such as anthropology, musicology, ethnomusicology, and ethnography. The word itself is relatively recent and etymologically means "the study of ethnic dance ", though this is not exclusive of research on more ...
[3] In early 1900s dance and etiquette manuals paid attention to ceremonial details of the ballroom. Rules and rituals were established, including the correct ways of issuing party invitations and giving parties and balls, asking a partner to dance, appropriate conversation while dancing a quadrille, and wearing the latest ballroom fashions.
The original Polish folk dance traditions continue to play an important part in the culture of the country and for centuries, have been a constant element of the Polish social, musical and cultural life, i.e. Polonaise dance is always, traditionally the first and the opening dance at all formal and important events, for example studniówka ball ...
In general, a dance education curriculum is designed to impart the knowledge and skills of performing dance for the students. Knowledge-oriented curricula may cover any of a diverse range of topics, including dance notation, human anatomy, physics, dance history, cultural aspects of dance, [citation needed] and music.
Lynn Theresa Garafola (born December 12, 1946) is an American dance historian, linguist, critic, curator, lecturer, and educator. A prominent researcher and writer with broad interests in the field of dance history, she is acknowledged as the leading expert on the Ballets Russes de Serge Diaghilev (1909–1929), the most influential company in twentieth-century theatrical dance.
The “matriarch” of Black dance, Katherine Dunham, was a dancer and choreographer and the first to open a Black dance company in the 1930s that performed all over the world. Dunham’s ...
Theatrical dance, also called performance or concert dance, is intended primarily as a spectacle, usually a performance upon a stage by virtuoso dancers. It often tells a story, perhaps using mime, costume and scenery, or it may interpret the musical accompaniment, which is often specially composed and performed in a theatre setting but it is not a requirement.