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Korg N5: The N5 was introduced as a keyboard version of the Korg NS5R sound module [31] without expansion slot. Korg N1/N1R: The N1 is an 88-key (piano-action) synthesizer. It is the expanded version of the N5 with a larger sample ROM [32] for more AI2 voices and drum kits. In addition to the Korg voices, it provides full support for GM, GS and XG.
The Korg Triton is a music workstation synthesizer, featuring digital sampling and sequencing, released in 1999. [1] [2] [3] It uses Korg's "HI (Hyper Integrated) Synthesis" system and was eventually available in several model variants with numerous upgrade options. The Triton became renowned as a benchmark of keyboard technology, and has been ...
The Korg N264 and N364 keyboards were 76- and 61-key (respectively) music workstation synthesizers based on the AI2 (Advanced Integrated System) [2] synthesis engine, with eight megabytes of sample rom first released in 1996. They have 936 programs and combinations, featuring 430 Multisounds and 215 Drum sounds.
The Korg M1 is a synthesizer and music workstation manufactured by Korg from 1988 to 1995. It is one of the bestselling synthesizers in history, selling an estimated 250,000 units. The M1 was widely used in popular music and stock music in the late 80s and early 90s.
The DW-8000 was released shortly after Korg's previous polysynth, the DW-6000, and built upon its predecessor's sound engine by enhancing it with velocity sensitivity, a digital delay effect, and expanded eight-voice polyphony. It also introduced 16 digital waveforms, doubling the DW-6000's eight, along with an arpeggiator, an additional key ...
The Korg Collection (initially launched as the Korg Legacy Collection in 2004) is a suite of virtual instruments and effects that emulate Korg's various hardware synthesizers. The original release included virtual versions of the MS-20 , Polysix and Wavestation . [ 1 ]
The DS-8 is an eight-voice FM synthesizer that supports multitimbrality and features a five-octave keyboard with velocity sensitivity and aftertouch. [2] It has a user-friendly interface that resembles that of analog synthesizers, avoiding FM programming terms such as algorithms and operators.
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