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In Christian iconography plants appear mainly as attributes on the pictures of Christ or the Virgin Mary. Christological plants are among others the vine, the columbine, the carnation and the flowering cross, which grows out of an acanthus plant surrounded by tendrils. Mariological symbols include the rose, lily, olive, cedar, cypress and palm ...
The brilliant white of Christ's robes, the golden-yellow of his halo, and the bright blue of the sky behind him all serve to emphasize the ethereal nature of the event. Similarly, Byzantine art favored a flattened, hieratic style of perspective that emphasized the spiritual significance of the figures depicted.
Iconography found in Christian art; individual works should only be added if their iconography is complex, and covered at some length in the article on them. See also Category:Christian symbols Contents
See also Category:Christian symbols For representations of Christianity in mainstream popular culture, ... Christian images (7 C, 78 F) S. Saints in art (6 C, 1 P)
See also References External links Four Evangelists Main article: Four Evangelists The symbols of the four Evangelists are here depicted in the Book of Kells. The winged man, lion, eagle and bull symbolize, clockwise from top left, Matthew, Mark, John, and Luke. Saint Symbol Matthew winged man or angel Mark winged lion Luke winged bull John eagle The Apostles Main article: Apostles in the New ...
But when the pagan Celsus ridiculed the Christian religion for having an ugly God in about 180, Origen (d. 248) cited Psalm 45:3: "Gird thy sword upon thy thigh, mighty one, with thy beauty and fairness" [27] Later the emphasis of leading Christian thinkers changed; Jerome (d. 420) and Augustine of Hippo (d. 430) argued that Jesus must have ...
The majority of early Christian art depicts The Holy Spirit in an anthropomorphic form as a human with two other Identical human figures representing God the Father and Jesus Christ. They either sit or they stand grouped together. This is used to portray the unity of the Most Holy Trinity. [7] [8]
Much Christian art borrowed from Imperial imagery, including Christ in Majesty, and the use of the halo as a symbol of sanctity. Late Antique Christian art replaced classical Hellenistic naturalism with a more abstract aesthetic. The primary purpose of this new style was to convey religious meaning rather than accurately render objects and people.
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