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White Bicycles – Making Music in the 1960s is the memoir of music producer Joe Boyd. It is published by Serpent's Tail . A companion CD of music he had produced in the 1960s and associated with the book was published by Fledg'ling Records at the same time.
Boyd left Hannibal/Ryko in 2001 and his autobiography, White Bicycles - Making Music in the 1960s, was published in 2006 by Serpent's Tail in the UK. In 2008, Boyd was a judge for the 7th annual Independent Music Awards to support independent artists. [11] Boyd was a producer on the long-delayed Aretha Franklin concert film "Amazing Grace."
William Bradford "Bill" Keith (December 20, 1939 – October 23, 2015) was a five-string banjoist who made a significant contribution to the stylistic development of the instrument. In the 1960s he introduced a variation on the popular " Scruggs style " of banjo playing (an integral element of bluegrass music ) which would soon become known as ...
Whoever needed the bikes would take them and leave them when they were done." [2] In Joe Boyd's book White Bicycles – Making Music in the 1960s he asserts the band's performance of “Revolution” one night at the UFO Club was the apotheosis of the 1960s UK underground. [3] Tomorrow also jammed with Jimi Hendrix at the UFO Club. [4]
Joe Boyd, who worked with Paul Rothchild on the sound mixing for the festival, described the audience reaction in his memoir, White Bicycles: Making Music in the 1960s. [22] By today's standards, the volume wasn't particularly high, but in 1965 it was probably the loudest thing anyone in the audience had ever heard.
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Joe Boyd, in his book White Bicycles: Making Music in the 1960s and elsewhere, [9] described how he was inadvertently responsible for their "conversion" when he introduced the band to Simons, who, having become a Scientologist, persuaded them to enrol in his absence. The band's support for Scientology over the next few years was controversial ...
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