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  2. Decorative concrete - Wikipedia

    en.wikipedia.org/wiki/Decorative_concrete

    Stamped concrete in various patterns, highlighted with acid stain. Decorative concrete is the use of concrete as not simply a utilitarian medium for construction but as an aesthetic enhancement to a structure, while still serving its function as an integral part of the building itself such as floors, walls, driveways, and patios.

  3. Cement render - Wikipedia

    en.wikipedia.org/wiki/Cement_render

    Cement render or cement plaster is the application of a mortar mix of sand and cement, (optionally lime) and water to brick, concrete, stone, or mud brick. It is often textured, colored, or painted after application. It is generally used on exterior walls but can be used to feature an interior wall. [1]

  4. Concrete art - Wikipedia

    en.wikipedia.org/wiki/Concrete_art

    The term Concrete also began to be extended to other disciplines than painting, including sculpture, photography and poetry. Justification for this was theorized in South America in the 1959 Neo-Concrete Manifesto, written by a group of artists in Rio de Janeiro who included Lygia Clark, Hélio Oiticica and Lygia Pape. [19]

  5. Stamped concrete - Wikipedia

    en.wikipedia.org/wiki/Stamped_concrete

    Modern stamped concrete resembling natural wood and stone. Stamped concrete is concrete that has been imprinted, or that is patterned, textured, or embossed to resemble brick, slate, flagstone, stone, tile, wood, or various other patterns and textures. The practice of stamping concrete for various purposes began with the ancient Romans.

  6. Stucco - Wikipedia

    en.wikipedia.org/wiki/Stucco

    Stucco used as an exterior coating on a residential building. Rock dash stucco used as an exterior coating on a house on Canada's west coast. The chips of quartz, stone, and colored glass measure approx. 3–6 mm (1/8–1/4"). The basic composition of stucco is lime, water, and sand. [4]

  7. En plein air - Wikipedia

    en.wikipedia.org/wiki/En_plein_air

    The theory of 'En plein air' painting is credited to Pierre-Henri de Valenciennes (1750–1819), first expounded in a treatise entitled Reflections and Advice to a Student on Painting, Particularly on Landscape (1800), [2] where he developed the concept of landscape portraiture by which the artist paints directly onto canvas in situ within the ...

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