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In Baroque music, G major was regarded as the "key of benediction". [1] Of Domenico Scarlatti's 555 keyboard sonatas, G major is the home key for 69, or about 12.4%, sonatas. In the music of Johann Sebastian Bach, "G major is often a key of 6 8 chain rhythms", according to Alfred Einstein, [2] although Bach also used the key for some 4
An A-minor scale has the same pitches as the C major scale, because the C major and A minor keys are relative major and minor keys. A minor chord has the root and the fifth of the corresponding major chord, but its first interval is a minor third rather than a major third:
In music theory, a major chord is a chord that has a root, a major third, and a perfect fifth. When a chord comprises only these three notes, it is called a major triad . For example, the major triad built on C, called a C major triad, has pitches C–E–G:
Dominant seventh chords are often built on the fifth scale degree (or dominant) of a key. For instance, in the C major scale, G is the fifth note of the scale, and the seventh chord built on G is the dominant seventh chord, G 7 (shown above). In this chord, F is a minor seventh above G.
The seventh chords built on each scale degree follow a distinct pattern. The roman numeral analysis is shown in parentheses. 1st: Major seventh chord (IM 7) 2nd: minor seventh chord (ii 7) 3rd: minor seventh chord (iii 7) 4th: Major seventh chord (IVM 7) 5th: Dominant seventh chord (V 7) 6th: minor seventh chord (vi 7) 7th: half-diminished ...
The tritone scale, C D ♭ E G ♭ G(♮) B ♭, [12] [unreliable source?] is enharmonically equivalent to the Petrushka chord; it means a C major chord ( C E G(♮) ) + G ♭ major chord's 2nd inversion ( D ♭ G ♭ B ♭). [13]
The same major scale also has three minor chords, the supertonic chord (ii), mediant chord (iii), and submediant chord (vi), respectively. These chords stand in the same relationship to one another (in the relative minor key ) as do the three major chords, so that they may be viewed as the first (i), fourth (iv) and fifth (v) degrees of the ...
Borrowed chords are typically used as "color chords", providing harmonic variety through contrasting scale forms, which are major scales and the three forms of minor scales. [2] Chords may also be borrowed from other parallel modes besides the major and minor mode, for example D Dorian with D major. [1] The mixing of the major and minor modes ...