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Nanxi had seven role types, many of which were seen in later Chinese opera forms. Sheng were heroic male characters and dan heroines. The other role types Mo ( 末 ), jing , chou , wai ( 外 ), and hou (后, also called tie 貼) were less defined roles, and actors in these role types portrayed a variety of characters in the same play.
Chinese knotting (中國結) is a decorative handicraft art that began as a form of Chinese folk art in the Tang and Song dynasty [1] (AD 960–1279) in China. It was later popularized in the Ming. The art is also referred to as Chinese traditional decorative knots. [2] One of the more traditional art forms, it creates decorative knot patterns.
The art forms in Taiwan were generally decorative, until youths growing up under the Japanese occupation received formal art education in Japan. Not burdened with traditional art form, their exploration generally followed the path of "learning the new methods" (學習新法). When the Nationalists arrived in Taiwan, a group of ambitious youths ...
Shu (書) refers to Chinese calligraphy, which dates to the origins of recorded Chinese history, in essence ever since written characters have existed. Chinese calligraphy is said to be an expression of a practitioner's poetic nature, as well as a significant test of manual dexterity. Chinese calligraphy has evolved for thousands of years, and ...
However, during the Cultural Revolution, like other traditional Chinese art forms, Yueju performances were outlawed, which caused a serious setback in its development. Since the 1980s, Yueju has become popular again, while being challenged by new amusement forms. [citation needed] Yueju features are elegant and soft, suitable for telling love ...
Traditional Chinese theatre, generally in the form of Chinese opera, is musical in nature. Chinese theatre can trace its origin back a few millennia to ancient China, but the Chinese opera started to develop in the 12th century. Western forms like the spoken drama, western-style opera, and ballet did not arrive in China until the 20th century. [1]
The quote that opens Chinese director Liu Jian’s shaggy but amiable new animated feature is instructive. “To live, to err, to fall, to triumph, to recreate life out of life” is a passage ...
New forms of Chinese art were heavily influenced by the New Culture Movement, which adopted Western techniques and employed socialist realism. The Cultural Revolution would shape Chinese art in the 20th century like no other event in history with the Four Olds destruction campaign. Contemporary Chinese artists continue to produce a wide range ...
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