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The music of West Africa has a significant history, and its varied sounds reflect the wide range of influences from the area's regions and historical periods. Traditional West African music varies due to the regional separation of West Africa, yet it can be distinguished by two distinct categories: Islamic music and indigenous secular music.
The music of West Africa must be considered under two main headings: in its northernmost and westernmost parts, many of the above-mentioned transnational sub-Saharan ethnic influences are found among the Hausa, the Fulani, the Wolof people, the Mande speakers of Mali, Senegal and Mauritania, the Gur-speaking peoples of Mali, Burkina Faso and ...
African drum made by Gerald Achee Drummers in Accra, Ghana. Sub-Saharan African music is characterised by a "strong rhythmic interest" [1] that exhibits common characteristics in all regions of this vast territory, so that Arthur Morris Jones (1889–1980) has described the many local approaches as constituting one main system. [2] C. K.
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).
[31] [circular reference] "The Empress of African Music" died at the age of 76. [32] In West Africa, Fela Kuti and Tony Allen performed Afrobeat music. [33] Femi Kuti and Seun Kuti followed their father Fela Kuti. [34] The Afro-Euro hybrid style, the Cuban son, has had an influence on certain popular music in Africa.
Tishoumaren (ⵜⵉⵛⵓⵎⴰⵔⴻⵏ in Neo-Tifinagh script) or assouf, [1] internationally known as desert blues, is a style of music from the Sahara region of northern and west Africa. Critics describe the music as a fusion of blues and rock music with Tuareg, Malian or North African music. [2]
The music was popularised in South Africa and then brought to Malawi, where contemporary Malawian artists have also begun producing Kwela music. It is also closely related to Marabi which was the name given to a keyboard style (often using cheap pedal organs) that had a musical link to American jazz, ragtime and blues, with roots deep in the ...
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