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Textile (fiber) art – including headgear weaving, basketry, and fishing gear; Pottery – including ceramics, clay pots and sculpture; Other artistic expressions of traditional culture – including non-ornamental metal crafts, martial arts, supernatural healing arts, medicinal arts, and constellation traditions; Non-traditional arts: [2]
Piña (Tagalog pronunciation: pi-NYAH) is a traditional Philippine fiber made from the leaves of the pineapple plant. Pineapples are indigenous to South America but have been widely cultivated in the Philippines since the 17th century, and used for weaving lustrous lace-like luxury textiles known as nipis fabric.
Fiber art works are works of art that communicate some sort of message, emotion or meaning and go beyond just the literal meaning of the materials. Fiber arts face the challenge at times of the message or meaning of the work of art being eclipsed by the study of the materials used and their history, rather than what they contribute to the ...
Inabel, [1] sometimes referred to as Abel Iloco or simply Abel, [2] is a weaving tradition native to the Ilocano people of Northern Luzon in the Philippines. [3] [4] The textile it produces is sought after in the fashion and interior design industries due to its softness, durability, suitability in tropical climates, and for its austere design ...
The lustrous fiber is traditionally hand-loomed into various indigenous textiles (abaca cloth or medriñaque) in the Philippines. They are still featured prominently as the traditional material of the barong tagalog , the national male attire of the Philippines, as well as in sheer lace-like fabrics called nipis used in various clothing components.
The t'nalak weaving tradition is acknowledged as part of the intangible cultural heritage of the T'boli and of the Philippines. [ 8 ] In recognition of the significance of t'nalak to Philippine culture and heritage, a t'nalak design pattern is shown on the reverse side of the one thousand-peso note of the New Generation Currency Series of ...
The early pre-Philippines clothing of the indigenous groups such as the Tagalogs and Visayans included both the baro and saya made from silk in matching colours. This style was exclusively worn by the women from the upper caste, while those of lower castes wore baro made from pounded white bark fiber, and a floor-length wrap-around skirt.
In the 20th century, the industry had expanded to such a degree that such educational institutions as UC Davis established a Division of Textiles and Clothing, [95] The University of Nebraska-Lincoln also created a Department of Textiles, Clothing and Design that offers a Masters of Arts in Textile History, [96] and Iowa State University ...