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"Drive" is a song by American rock band the Cars from their fifth studio album, Heartbeat City (1984). It was released on July 23, 1984, as the album's third single. It was released on July 23, 1984, as the album's third single.
"Take Me Home" is another song in which the meaning was originally very vague. At first listening, it appears that the song is about going home, [11] but this is not true. Collins has stated that the song lyrics refer to a patient in a mental institution, [15] [21] and that it is based on the novel One Flew Over the Cuckoo's Nest. [11]
"Driving the Last Spike" is the third track on the Genesis album We Can't Dance, released in 1991. The song's lyrics by Phil Collins are about the Navvies: railway workers of the 19th century, many of whom died constructing Britain's railways.
"Take Me Home" is a song written and performed by English drummer, singer and songwriter Phil Collins. It is the tenth and final track on Collins' third solo album, No Jacket Required . Collins co-produced the song with Hugh Padgham and released it as a single in the UK in July 1985 and the U.S. in March 1986.
In 2019, Andy Greene of Rolling Stone remarked, "You don't hear the 1986 Genesis song 'Tonight Tonight Tonight' very often these days, but back then it was absolutely inescapable. This was a weird period of time where seemingly half the songs on the radio were either by Genesis or one of the many offshoot acts like Phil Collins, Peter Gabriel ...
"Don't Let Him Steal Your Heart Away" is a song by Phil Collins from his second solo album Hello, I Must Be Going!. The song was the third single released from the album in the UK and charted at No. 45. It is notable for its 3D sleeve. The song was written around 1978-1979 during sessions for Face Value. [1]
The single's UK release featured comedian Tony Hancock on its front cover. [5] The different cover art for the international single release is a still from the 1946 film A Matter of Life and Death [6] (also titled in the US Stairway to Heaven [7]) created by Powell and Pressburger, [citation needed] permitted for use by Rank Film Distributors.
This one ranks as one of Phil’s best efforts, both from a songwriting point of view—the solid arrangement and crafty hook will result in summer-long airplay for the song—and a delivery standpoint, as Collins comes through with all the drama and passion that have made his greatest songs so memorable.