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Birth is a 2004 American psychological drama film co-written and directed by Jonathan Glazer. The film stars Nicole Kidman, Lauren Bacall, Cameron Bright, Danny Huston, Arliss Howard, Peter Stormare, Ted Levine, and Anne Heche. Its plot follows a woman who becomes convinced that her deceased husband Sean is reincarnated as a ten-year-old boy.
After giving him a false alibi, she instructs Patrick over the phone to give Knoll the same story if he is questioned. Nevertheless, Knoll instructs an examination, during which her doctor concludes that she has had a hysterectomy over ten years ago and cannot give birth to children. Afterwards, Rita admits to the murder of Theresa and having ...
Juno is a 2007 American coming-of-age comedy-drama film directed by Jason Reitman and written by Diablo Cody. Elliot Page [a] stars as the title character, an independent-minded teenager confronting her unplanned pregnancy and the subsequent events that put pressures of adult life onto her.
Women are giving birth deep in the woods, hundreds of miles from the nearest hospital ... by choice. That's right -- no doctors, no epidural, not even a bed to lie on. It's a controversial new ...
Rosemary's Baby is a 1968 American psychological horror film written and directed by Roman Polanski, based on Ira Levin's 1967 novel. The film stars Mia Farrow as a newlywed living in Manhattan who becomes pregnant, but soon begins to suspect that her neighbors have sinister intentions regarding her and her baby.
Lucy goes into hospital to give birth to the baby she is expecting. It proves to be a protracted, dangerous and painful delivery as the baby is a hefty 12-pounder. The newborn infant is handed to Lucy, and seconds later she is sporting a slashed and bleeding cheek, “he scratched me! With his sharp nails!"
The soundtrack album of She's Having a Baby was released in 1988 on I.R.S. Records label and produced by Dave Wakeling. The song during the birth sequence is "This Woman's Work" by Kate Bush and is featured on her 1989 album The Sensual World. John Hughes is thanked in the album's liner notes.
As the baby is a black girl, she fears the social isolation she would receive and what people would think of her. She is heartbroken, but decides to give up her daughter. She names her newborn daughter Barbara Anne Cummins and gives her to foster mother Corrine Burrel, a black woman in Roxbury. Seven years later, Barbara is a happy little girl.