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"The Lost Chord" is a song composed by Arthur Sullivan in 1877 at the bedside of his brother Fred during Fred's last illness. The manuscript is dated 13 January 1877; Fred Sullivan died five days later. The lyric was written as a poem by Adelaide Anne Procter called "A Lost Chord", published in 1860 in The English Woman's Journal. [1]
The Lost Chords is a live album by American composer, bandleader and keyboardist Carla Bley with Andy Sheppard, Steve Swallow, and Billy Drummond recorded in Europe in 2003 and released on the Watt/ECM label in 2004. [1] [2]
The beginning of the Concord Sonata, first edition. The sonata's four movements represent figures associated with transcendentalism.In the introduction to his Essays Before a Sonata [13] [14] (published immediately before the Concord Sonata, and serving as what Henry and Sidney Cowell called "an elaborate kind of program note (124 pages long)" [15]), Ives said the work was his "impression of ...
Solo Piano II is an album by Chilly Gonzales which was released on August 27, 2012. The album features 14 original compositions for piano written and performed by Chilly Gonzales. The album was named a longlisted nominee for the 2013 Polaris Music Prize on June 13, 2013. [1]
The Allmusic review by Thom Jurek awarded the album 4½ stars and stated "With all of her strengths on display here, from humor and a strict reliance on substance over her own considerable instrumental virtuosity, to her canny compositional skill at writing balanced and nuanced, elegant works that add to the actual literature of the music, this baby trumps The Lost Chords quartet date (it's ...
In 2002, Stuart Townend, the lyricist of the song, recorded it on his own album Lord of Every Heart [5] By 2005, it had been named by a BBC Songs of Praise survey as the ninth best-loved hymn of all time in the UK and then third in the same poll by the show in 2019; [6] By 2006, it rose to the No. 1 position on the United Kingdom CCLI ...
"I've Been Losing You" is a song by Norwegian band A-ha, released as the lead single from their second studio album, Scoundrel Days (1986). It reached number one in Denmark and Norway, and number eight in the United Kingdom.
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.