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A triptych (/ ˈ t r ɪ p t ɪ k / TRIP-tik) is a work of art (usually a panel painting) that is divided into three sections, or three carved panels that are hinged together and can be folded shut or displayed open.
The Martian poets were English poets of the 1970s and early 1980s, including Craig Raine and Christopher Reid. Through the heavy use of curious, exotic, and humorous metaphors, Martian poetry aimed to break the grip of "the familiar" in English poetry, by describing ordinary things as if through the eyes of a Martian.
And I suppose I could go long beyond the triptych and do five or six together, but I find the triptych is a more balanced unit." [3] His career began with the 1944 triptych Three Studies for Figures at the Base of a Crucifixion, an instant critical and popular success. The format appealed to him; he said, "I see images in series", according to ...
Roman Triptych: Meditations" is a forty-page poem by Pope John Paul II, composed of three parts: Stream, Meditation on the Book of Genesis, and A Hill in the Moria Land.
An illustration of the fable by E. J. Detmold in The Fables of Aesop (1909). The Trees and the Bramble is a composite title which covers a number of fables of similar tendency, ultimately deriving from a Western Asian literary tradition of debate poems between two contenders. [1]
This poem marks the introduction into an English context of the classical pastoral, a mode of poetry that assumes an aristocratic audience with a certain kind of attitude to the land and peasants. The explorations of love found in the sonnets of William Shakespeare and the poetry of Walter Raleigh and others also implies a courtly audience.
Songes and Sonettes, usually called Tottel's Miscellany, was the first printed anthology of English poetry. It was published by Richard Tottel in 1557 in London and ran to many editions in the sixteenth century. [3] A widely read series of political anthologies, Poems on Affairs of State, began its publishing run in 1689, finishing in 1707. [4]
For other uses, see Bard (disambiguation). Title-page of The Bard illustrated by William Blake, c. 1798 The Bard. A Pindaric Ode (1757) is a poem by Thomas Gray, set at the time of Edward I's conquest of Wales. Inspired partly by his researches into medieval history and literature, partly by his discovery of Welsh harp music, it was itself a potent influence on future generations of poets and ...