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Every Good Boy Deserves Fudge is the second studio album by American rock band Mudhoney. [3] [17] It was recorded at a time when the band was thinking of signing to a major record label, but decided to release the album on Sub Pop in 1991.
Musicians can remember the notes associated with the five lines of the treble clef using any of the following mnemonics, EGBDF: (from the bottom line to the top) Every Good Boy Does Fine. [46] Every Good Boy Deserves Fudge (or Friendship, Fun, Fruit, etc.) Eggnog Gets Better During February; Empty Garbage Before Dad Flips; Eat Good Bread Dear ...
Every Good Boy Deserves Favour is the seventh album by The Moody Blues, released in 1971.The album reached No. 1 on the British album chart, in addition to a three-week stay at No. 2 in the United States, and produced one top-40 single, "The Story in Your Eyes".
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Hymn-style arrangement of "Adeste Fideles" in standard two-staff format (bass staff and treble staff) for mixed voices Tibetan musical score from the 19th century. Sheet music is a handwritten or printed form of musical notation that uses musical symbols to indicate the pitches, rhythms, or chords of a song or instrumental musical piece.
When the F-clef is placed on the third line, it is called the baritone clef. Baritone clef was used for the left hand of keyboard music (particularly in France; see Bauyn manuscript) and for baritone parts in vocal music. A C-clef on the fifth line creates a staff with identical notes to the baritone clef, but this variant is rare.
Shape notes are a system of music notation designed to facilitate choral singing. Shape notes of various kinds have been used for over two centuries in a variety of sacred choral music traditions practiced primarily in the Southern region of the United States. "Shape-note singers used tune books rather than hymnals. Hymnals were pocket-size ...
The song includes a long fade of the lyrics "One summer dream", concluding the album. Lynne's father, who had been vocally critical about Lynne's early albums, admired the song, and Lynne recalled that his father would hum it. [20] Though a peaceful, easy-listening ballad, Lynne remarked in the Flashback notes that it was a "protest" song.
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