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Gongche notation or gongchepu is a traditional musical notation method, once popular in ancient China.It uses Chinese characters to represent musical notes.It was named after two of the Chinese characters that were used to represent musical notes, namely "工" gōng and "尺" chě.
The tablature of the guqin is unique and complex. The older form is composed of written words describing how to play a melody step-by-step using the plain language of the time, i.e. descriptive notation (Classical Chinese). The early pieces of music are all written by words to explicitly explain the fingerings.
Since they are seldom played in concert with other instruments and carillonneurs need standardized sheet music, carillons often transpose to a variety of keys—whichever is advantageous for the particular installation; many transposing carillons weigh little, have many bells, or were constructed on limited funds. [2]
The Oriental riff and interpretations of it have been included as part of numerous musical works in Western music. Examples of its use include Poetic Tone Pictures (Poeticke nalady) (1889) by Antonin Dvořák, [6] "Limehouse Blues" by Carl Ambrose and his Orchestra (1935), "Kung Fu Fighting" by Carl Douglas (1974), "Japanese Boy" by Aneka (1981), [1] [4] The Vapors' "Turning Japanese" (1980 ...
Dance was also closely associated with yayue music, each yayue pieces may have a ceremonial or ritual dance associated with it. The most important yayue piece of the Zhou dynasty were the Six Great Dances, each associated with a legendary or historical figure – Yunmen Dajuan (雲門大卷), Daxian ( 大咸 ), Daqing (大磬, or Dashao 大韶 ...
During the Six Dynasties era (220 - 589 CE), there were strong influences from Central Asia in music and dance. The art of dance reached a peak in the Tang dynasty, and the dances of the period were highly diverse and cosmopolitan, dances from Central Asia, in particular, were popular. A great number of dances were recorded in the Tang dynasty.
A Willson 2900 euphonium, a professional model commonly used in American service bands. The euphonium repertoire consists of solo literature and parts in band or, less commonly, orchestral music written for the euphonium. Since its invention in 1843, the euphonium has always had an important role in ensembles, but solo literature was slow to ...
The liuqin (Chinese: 柳琴, pinyin: liǔqín) is a three, four or five -stringed Chinese mandolin with a pear-shaped body. The range of its voice is much higher than the pipa, and it has its own special place in Chinese music, whether in orchestral music or in solo pieces.