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The mask of Xiuhtecuhtli, from the British Museum, of Aztec or Mixtec provenance. [9]Xiuhtecuhtli's face is painted with black and red pigment. [16] Xiuhtecuhtli was usually depicted adorned with turquoise mosaic, wearing the turquoise xiuhuitzolli crown of rulership on his head and a turquoise butterfly pectoral on his chest, [27] and he often wears a descending turquoise xiuhtototl bird ...
Xiuhcoatl is a Classical Nahuatl word that translates as "turquoise serpent" and also carries the symbolic and descriptive translation of "fire serpent". Xiuhcoatl was a common subject of Aztec art, including illustrations in Aztec codices, and was used as a back ornament on representations of both Xiuhtecuhtli and Huitzilopochtli. [1]
Itztlacoliuhqui in the Codex Telleriano-Remensis. In Aztec mythology, Itztlacoliuhqui is the god of frost.He also represents matter in its lifeless state. The Nahuatl name Itztlacoliuhqui is usually translated into English as "curved obsidian blade".
The nine regions of Mictlán (also known as Chiconauhmictlán) in Aztec mythology take shape within the Nahua worldview of space and time as parts of a universe composed of living forces. According to Mexica mythology, in the beginning, there were two primordial gods, Omecíhuatl and Ometecuhtli, whose children became the creator gods.
Aztec mythology is the body or collection of myths of the Aztec civilization of Central Mexico. [1] The Aztecs were Nahuatl -speaking groups living in central Mexico and much of their mythology is similar to that of other Mesoamerican cultures.
The sculpture measures approximately 13.1 x 11.8 feet (4 x 3.6 meters) and weighs nearly 12 tons, making it one of the largest Aztec monoliths ever discovered—larger even than the Calendar Stone. The sculpture, carved in a block of pink andesite, presents the goddess in her typical squatting position and is vividly painted in red, white ...
In Aztec mythology, Xolotl (Nahuatl pronunciation: [ˈʃolot͡ɬ] ⓘ) was a god of fire and lightning. He was commonly depicted as a dog-headed man and was a soul-guide for the dead. [2] He was also god of twins, monsters, death, misfortune, sickness, and deformities.
Quecholli, the 14th veintena, the 20-day Aztec month (November 19th Julian calendar, [13] November 29th Gregorian calendar), was dedicated to Mixcoatl. The celebration for this month consisted of hunting and feasting in the countryside. The hunters would take the form of Mixcoatl by dressing like him, kindling a new fire to roast the hunted game.