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Violin Solo Sonata No. 1 (1940) -dedicated to Ruggiero Ricci- (I. Praeludium con bravura; II. Cantabile; III. Allegro) Philip Glass "Strung Out", for solo amplified violin (1967) "Knee Play 2", violin solo from Einstein On The Beach; Partita for solo violin (2010/11) -dedicated to Tim Fain- (I. Opening; II. Dance 1; III.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Musicologists such as Matthew Head and Suzannah Clark believe that birdsong has had a large though admittedly unquantifiable influence on the development of music. [2] [3] Birdsong has influenced composers in several ways: they can be inspired by birdsong; [4] they can intentionally imitate bird song in a composition; [4] they can incorporate recordings of birds into their works; [5] or they ...
Koncherto for violin and percussion ensemble (1959) Music for Violin and Various Instruments, European, Asian, and African (1967–69) Suite for Violin and American Gamelan (1974; arr. for violin and string orchestra, 1993) Philemon and Baukis for violin and Javanese gamelan (1985–87) Hamilton Harty
In singing, a controlled swell (i.e. crescendo then diminuendo, on a long held note, especially in Baroque music and in the bel canto period) [2] mesto Mournful, sad meter or metre The pattern of a music piece's rhythm of strong and weak beats mezza voce Half voice (i.e. with subdued or moderated volume) mezzo
{{Information |Description=Violin first position fingering chart, with "training wheels" tapes for 1st, high 2nd, and 3d fingers. |Source=self-made |Date= |Author= Just plain Bill SVG generated from PNG made by Just plain Bill 14: 14:46, 5 November 2006: 475 × 975 (48 KB) Mets501: A first position fingering chart for the violin.
The Birds (Italian: Gli uccelli) is a suite for small orchestra by the Italian composer Ottorino Respighi. Dating from 1928, the work is based on music from the 17th and 18th century [ 1 ] and represents an attempt to transcribe birdsong into musical notation, and illustrate bird actions, such as fluttering wings, or scratching feet.
Renardy had played the solo violin version of the 24 in his Carnegie Hall debut the previous October. In 1953, shortly before his untimely death, Renardy recorded the 24 again (on Paganini's Guarnieri del Gesù violin, 'Il Cannone'), in the same arrangement by David, with Eugene Helmer accompanying (2LPs, Remington R-99-146 & R-99-152). [7] [8]
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