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Benjamin presents the thematic bases for a theory of art by quoting the essay "The Conquest of Ubiquity" (1928), by Paul Valéry, to establish how works of art created and developed in past eras are different from contemporary works of art; that the understanding and treatment of art and of artistic technique must progressively develop in order to understand a work of art in the context of the ...
[1] Art, a concept separate from both work and creator, thus exists as the source for them both. Rather than control lying with the artist, art becomes a force that uses the creator for art's own purposes. Likewise, the resulting work must be considered in the context of the world in which it exists, not that of its artist. [2]
This rise in popularity of the artist has resulted in the removal of their paintings to be sold. One example can be seen in the removal of Girl with Red Balloon from Shoreditch, east London in 2013–2014. The painting was removed over a period of two weeks, using a diamond-bladed chainsaw to cut through 22 cm of brick.
Related: The Last Showgirl Review: Pamela Anderson Finally Gets Her Chance to Dazzle Being an artist is solitary, lonely and full of secrets. I’ve been there. I’ve been objectified at times ...
Art criticism is the discussion or evaluation of art. [78] [79] [80] Art critics usually criticize art in the context of aesthetics or the theory of beauty. [79] [80] A goal of art criticism is the pursuit of a rational basis for art appreciation [78] [79] [80] but it is questionable whether such criticism can transcend prevailing ...
All bad art comes from returning to Life and Nature, and elevating them into ideals. Life imitates Art far more than Art imitates Life. It follows as a corollary that external Nature also imitates Art. Lying, the telling of beautiful untrue things, is the proper aim of Art. The essay ends with the two characters going outside, as Cyril asked ...
The argument that art is a part of universal human history is a derivative of colonial discourse that appropriated the art of other cultures into the Western historical narrative. The encyclopedic museums that house much of the world's artworks and artifacts are located in Western cities and privilege European scholars, professionals and people ...
My Belief: Essays on Life and Art is a collection of essays by Hermann Hesse. The essays, written between 1904 and 1961, were originally published in German, either individually or in various collections between 1951 and 1973. This collection in English was first published in 1974, edited by Theodore Ziolkowski.