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Jane Austen's (1775–1817) distinctive literary style relies on a combination of parody, burlesque, irony, free indirect speech and a degree of realism.She uses parody and burlesque for comic effect and to critique the portrayal of women in 18th-century sentimental and Gothic novels.
Jane Austen (/ ˈ ɒ s t ɪ n, ˈ ɔː s t ɪ n / OST-in, AW-stin; 16 December 1775 – 18 July 1817) was an English novelist known primarily for her six novels, which implicitly interpret, critique, and comment upon the English landed gentry at the end of the 18th century.
The intention of the work was to set down the essential parts of the "ideal novel". Austen was following, and guying, the recommendations of Clarke. [1] The work was also influenced by some of Austen's personal circle with views on the novel of courtship, and names are recorded in the margins of the manuscript; [9] they included William Gifford, her publisher, and her niece Fanny Knight.
1996: author Emma Tennant published Elinor and Marianne, a sequel in the form of an epistolary novel (Austen's original format for Sense and Sensibility) recounting the married lives of the Dashwood sisters. [42] 2009: Sense and Sensibility and Sea Monsters is a mashup parody novel by Ben H. Winters, with Jane Austen credited as co-author. [43]
Free indirect discourse can be described as a "technique of presenting a character's voice partly mediated by the voice of the author". In the words of the French narrative theorist Gérard Genette, "the narrator takes on the speech of the character, or, if one prefers, the character speaks through the voice of the narrator, and the two instances then are merged". [1]
Appearing in Volume the Third of Austen's early writing (begun in 1792), Catharine is itself generally dated to 1792–3. [2] However, a (substituted) reference to the Regency has been seen as linking it to the first regency crisis of 1788–9, [3] rather than being a later interpolation; while alternatively, because of thematic parallels in Austen's letters of 1795–6, The Bower has also ...
As a highly opinionated group, our team doesn’t always agree on some key culinary questions. We’ve had many arguments about whether a hot dog is a sandwich, if ketchup belongs on a bacon, egg ...
Jane Austen's Sense and Sensibility (1811) is most often seen as a "witty satire of the sentimental novel", [9] [full citation needed] by juxtaposing values of the Age of Enlightenment (sense, reason) with those of the later eighteenth century (sensibility, feeling) while exploring the larger realities of women's lives, especially through ...
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