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Mirza Ghalib is considered one of the leading literary authority on Urdu poetry. [3] He lived in Delhi [4] and died in 1869. The literal meaning of shayar (shaa'ir) is poet. [5] There are more than 30 types of Urdu poetry, also known as shayari. Examples of shayari are ghazal, sher, nazm, marsiya, qita and many more. [6]
Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
The Ghazal tradition is marked by the poetry's ambiguity and simultaneity of meaning. [12] Learning the common tropes is key to understanding the ghazal. There are several locations a Urdu sher might take place in: [13] The Garden, where the poet often takes on the personage of the bulbul, a songbird.
Sher Muhammad, a Khan of Moghlistan from 1421 to 1425; Sher Shah Suri (1486–1545), king of the Sur Empire in India; Sher Singh (1807–1843), Sikh ruler of the sovereign country of Punjab and the Sikh Empire; Sher Singh Attariwalla (died 1858), 19th century Sikh military commander; Sher Singh Ghubaya (born 1962), Indian politician
Although Dabeer's poetic expression found expression in the genre of marsiya but he made use of other forms of Urdu poetry, viz., salaam and rubai, he seldom wrote ghazals too. A couplet from one of his salaams is a clear example of his genius comparable to Ghalib: Hurr fida pyaasa jo Shah par ho gaya Ai salami, qatra tha samandar ho gaya! Meaning:
However, generally bahr is categorized in three classes: Short, medium, long, depending upon the length of the sher of the ghazal. For a ghazal, since all the shers in it should be of the same bahr, determining the bahr of one sher (or even one line of the sher) is enough to determine the bahr of the entire ghazal.
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Bait Bazi (Urdu: بیت بازی) is a verbal game and a genre of Urdu poetry played by composing verses of Urdu poems. The game is common among Urdu speakers in Pakistan and India . It is similar to Antakshari , the Sistanian Baas-o-Beyt , the Malayalam Aksharaslokam and, more generally, the British Crambo .