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A long dashiki suit includes a shirt that is knee-length or longer. However, if the shirt reaches the ankles, it is a Senegalese kaftan. Finally, the lace dashiki suit includes a shirt made of lace. A hybrid of the dashiki and kaftan worn by females is a traditional male dashiki with a western skirt.
A formal dashiki suit will always include a crown style kufi, while the knitted style is most appropriate for non-formal occasions. Other caps worn with the dashiki, Senegalese kaftan, and grand boubou, include: [citation needed] The aso oke hat, or fila, from Nigeria; The fez, or tarboosh, a wool cap with a stem from North Africa and Turkey
The dashiki is highly stylized and is rendered with an ornate V-shaped collar. In contrast the grand boubou is simpler, even more so than the djellaba, though the color designs reach impressive proportions, especially among the Tuareg , who are known for their dyed indigo robes.
History The origins of the kaftan are uncertain, but it is believed to have first appeared in ancient Mesopotamia . [ 1 ] [ 2 ] It is described as a long robe as far as the calves sometimes or just under the knee, and is open at the front and the sleeves are slight cut at the wrists or even as far as to the middle of the arms.
During a wedding ceremony, the bride's kaftan is the same color as the groom's dashiki. The traditional color for West African weddings is white. [13] The most popular non-traditional color is purple or lavender, the color of African royalty. [14] Blue, the color of love, is also a common non-traditional color. [15]
Its origin lies with the clothing style of the Mande, Songhai-Zarma, Hausa, Kanuri, Toubou, and other trans-Saharan and Sahelian trading groups who used the robe as a practical means of protection from both elements (the harsh sun of the day and sub-freezing temperatures at night) while traversing the Sahara desert.
The upper classes wore other garments atop the basic tunic, such as the dalmatica, a heavier and shorter type of tunic, again, worn by both sexes, or the scaramangion, a riding-coat of Persian origin. Except for the military or riding dress, men and women of higher status wore tunics that came down to the ankles, or nearly so.
African textiles also have significance as historical documents, offering perspectives in cases where written historical accounts are unavailable: "History in Africa may be read, told and recorded in cloth." [33] Western African demand for cotton textiles fueled early South-South exchange during colonial times. [34]
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