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Overture (from French ouverture, lit. "opening") is a music instrumental introduction to a ballet, opera, or oratorio in the 17th century. [1] During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing, instrumental, programmatic works that foreshadowed genres such as the symphonic poem.
The Year 1812, Solemn Overture, Op. 49, popularly known as the 1812 Overture, [1] is a concert overture in E ♭ major written in 1880 by Russian composer Pyotr Ilyich Tchaikovsky. The piece commemorates Russia 's successful defense against the French invasion of the nation in 1812.
The William Tell Overture is the overture to the opera William Tell (original French title Guillaume Tell), composed by Gioachino Rossini. William Tell premiered in 1829 and was the last of Rossini's 39 operas, after which he went into semi-retirement (he continued to compose cantatas, sacred music and secular vocal music).
The key characteristic of European classical music that distinguishes it from popular music, folk music, and some other classical music traditions such as Indian classical music, is that the repertoire tends to be written down in musical notation, creating a musical part or score. This score typically determines details of rhythm, pitch, and ...
Overture – Instrumental composition serving as an introduction to an opera or ballet. French overture – Overture with a slow introduction followed by a faster section. Italian overture – Overture in three fast-slow-fast sections. Pasticcio – Opera made up of various pieces from other compositions.
This is distinct from the more traditional absolute music popular in the Baroque and Classical eras, in which the piece has no narrative program or ideas and is simply created for music's sake. Musical forms such as the symphonic poem , ballade , suite , overture and some compositions in freer forms are named as program music since they ...
Vaughan Williams later arranged parts of the music into an orchestral suite (about 26 minutes), in five parts: Overture; Entr'acte; March Past of the Kitchen Utensils; Entr'acte; Ballet and Final Tableau. The Overture is quite concise (about 10 minutes) and is a popular independent concert piece today. The main theme is pentatonic.
The overture consists of two primary themes; the opening notes of the overture state the theme Mendelssohn wrote while visiting the cave, and is played initially by the violas, cellos, and bassoons. [11] This lyrical theme, suggestive of the power and stunning beauty of the cave, is intended to develop feelings of loneliness and solitude.
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