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Many Bulgarian dances are line dances, with the dancers holding hands in a straight or curved line, facing in toward the center of the dance space.Originally men and women danced in separate lines, or in a gender-segregated line in which the last woman and first man held opposite ends of a handkerchief, to avoid gender contact but today men and women often dance in mixed lines.
Yove male mome (Bulgarian: Йове мале моме; Jove male mome, Jove malaj mome, "Jova, little girl"), also called Povela e Yova (Повела е Йова), is a fast Bulgarian folk dance. It is done to a 7+11 16 = 18 16 compound meter with alternating (sub-)bars of 7+11, in their turn divided into common chetvorno and kopanitsa rhythms ...
In Bulgaria, it is sometimes called simply Makedonsko horo ('the Macedonian dance'). The name lesnoto is of more recent origin. According to one source, [ 1 ] the Yugoslav folk dance collectors Ljuba and Danica Janković first applied the term, meaning 'light' or 'easy', to the vast category of dances having the general pattern "3 steps right ...
Kopanitsa or kopanica (called in some regions Gankino) is the name for a family of lively folk dances from western Bulgaria done to music in 11 8 meter, and also sometimes for the accompanying music. Some sources describe the rhythm in terms of "quick" and "slow" beats, the pattern being quick-quick-slow-quick-quick (counted as 2-2-3-2-2 metric ...
Dajchovo horo (Bulgarian: Дайчово хopo) is a Bulgarian folk dance done to a nine-beat meter. It is unique in two ways: it is a circle dance (most Bulgarian dances are either line or couple dances), and yet it has a leader (most circle dances have no leader). [1]
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Kopanitsa is a form of Bulgarian folk music that utilizes certain forms of undecuple meter (typically 11 8).The terms are also used to describe the folk dances that are frequently performed alongside the music.Typically, kopanitsa's usage of undecuple meter will divide the measure into groupings of 2+2+3+2+2.
The following is a list with the most notable dances. Names of many Greek dances may be found spelt either ending with -o or with -os. This is due to the fact that the word for "dance" in Greek is a masculine noun, while the dance itself can also be referred to by a neuter adjective used substantively. Thus one may find both "hasapiko" ("the ...