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Cattle Decapitation's first album To Serve Man came out in 2002 and saw controversy in Germany, where distribution company SPV refused to handle the album due to its graphic cover. [6] The cover of the 2004 album Humanure, featuring a cow excreting human remains, was reportedly censored without permission from the label in some outlets. Record ...
Humanure is the second studio album by American deathgrind band Cattle Decapitation. [3] [4] [5] It was released on July 13, 2004 through Metal Blade Records and has been noted for its iconic cover art, depicting a cow defecating what appears to be human body parts in a wasteland environment — the image has been compared to the artwork for Pink Floyd’s album Atom Heart Mother.
Monolith of Inhumanity is the fifth studio album by American death metal band Cattle Decapitation, released on May 8, 2012. [1] Upon its release, it was met with positive reviews praising the addition of melody into their sound. [2]
Death Atlas is the seventh studio album by American death metal band Cattle Decapitation. It was released on November 29, 2019, via Metal Blade Records . Its release coincided with Black Friday and came more than four years after their previous studio album, 2015's The Anthropocene Extinction .
Lists of covers of Time magazine list the people or topics on the cover of Time magazine. Time was first published in 1923. As Time became established as one of the United States' leading news magazines, an appearance on the cover of Time became an indicator of notability, fame or notoriety. The lists are organized by decade.
Karma.Bloody.Karma is the third studio album by deathgrind band Cattle Decapitation. [5] [6] It was released on July 11, 2006.The track "Total Gore?" features guest vocals from Joey Karam of The Locust.
Bradley Cooper's new drama 'Maestro' depicts the iconic composer's career and complex marriage. Look inside TIME's 1957 cover story on Bernstein.
The Harvest Floor is the fourth studio album by American deathgrind band Cattle Decapitation.It was released through Metal Blade Records on January 20, 2009. The album was recorded and mixed at Sharkbite studios in Oakland, California, with engineering and production handled by Billy Anderson. [1]