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Pullela Sriramachandrudu studies Panchakavyas, Sriharsha's Naishadam, Murari Anargharaghavam and Siddhantakaumudi under his father. He later joined the Sanskrit college at Narendrapuram and studied the classics like Kirataarjuneeyam and other grammatical works under the tutelage of Sri.
Tikkana (or Tikkana Somayaji) (1205–1288) was a 13th century Telugu poet. Born into a Telugu-speaking Niyogi Brahmin family during the golden age of the Kakatiya dynasty, he was the second poet of the "Trinity of Poets (Kavi Trayam)" that translated Mahabharata into Telugu.
Subbarao's literature is a mixture of Telugu Indian culture and Western ideas.He brought Western romanticism especially English lyric style to Telugu literature.However, he followed classical Sanskrit and Telugu meter in his writings and he didn't abandon Sanskrit Telugu form common language.
Molla is the second female Telugu poet of note, after Tallapaka Timmakka, wife of Tallapaka Annamayya ("Annamacharya"). She translated the Sanskrit Ramayana into Telugu. [1] Her father Atukuri Kesanna was a potter of Gopavaram, a village in Gopavaram Mandal near Badvel town, fifty miles north of Kadapa in Andhra Pradesh state.
Her translation of Girish Karnad's play, Taledanda, won her the Sahitya Akademi Award in 1995. [4] She is also recipient of PS Telugu University Award (1999), Sakhya Sahiti Award (2000) and Grihalakshmi Award (2001). [5] Bhargavi Rao was a member of the Telugu Association of North America and Telugu Literary and Cultural Association [6]
A Dictionary of the Mixed Dialects and Foreign Words used in Telugu; with an Explanation of the Telugu Alphabet By C. P. Brown, Madras, 1854. The Telugu Reader, being a series of Letters, Private and on Business, Police and Revenue Matters, with an English Translation, Notes explaining the Grammar, and a little Lexicon. By Charles Philip Brown.
Traditionally, Telugu literary works were written in a highly stylistic language with complicated words and meter; these works could only be understood by the educated elite. Gurajada's mission was to reach out to the masses, so he broke with tradition (he called the literary dialect "doubly dead" in his preface) and wrote in the vibrant and ...