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Scrimshaw is scrollwork, engravings, and carvings done in bone or ivory. Typically it refers to the artwork created by whalers , engraved on the byproducts of whales, such as bones or cartilage. It is most commonly made out of the bones and teeth of sperm whales , the baleen of other whales , and the tusks of walruses .
Grimshaw exhibited widely in the UK (including at the Royal Scottish Academy and the Royal Academy in the 1970s) and in the US and Germany. His work was included in the private collections of L.S. Lowry, Edward Heath (two drawings purchased in 1973), [2] the Warburton (Bread) Family and Gerald Kaufman MP., [3] and he is represented in a number of public collections, including The Tate Gallery ...
Nevin Stewart Scrimshaw (January 20, 1918 – February 8, 2013) was an American food scientist and Institute Professor emeritus at the Massachusetts Institute of Technology. Scrimshaw was born in Milwaukee, Wisconsin .
Engraved on the tooth is a picture of the ship Francis, which artist Fred Myrick served on during the early 1800s. Now, sperm whales are protected under the Marine Mammal Protection Act. So, in ...
Openclipart, also called Open Clip Art Library, is an online media repository of free-content vector clip art.The project hosts over 160,000 free graphics and has billed itself as "the largest community of artists making the best free original clipart for you to use for absolutely any reason".
Examples of computer clip art, from Openclipart. Clip art (also clipart, clip-art) is a type of graphic art. Pieces are pre-made images used to illustrate any medium. Today, clip art is used extensively and comes in many forms, both electronic and printed. However, most clip art today is created, distributed, and used in a digital form.
John Atkinson Grimshaw (6 September 1836 – 13 October 1893) was an English Victorian-era artist best known for his nocturnal scenes of urban landscapes. [1] [2] He was called a "remarkable and imaginative painter" by the critic and historian Christopher Wood in Victorian Painting (1999).
"The Platonic Eros of Walter Pater and Oscar Wilde: Love's Reflected Image in the 1890s". English Literature in Transition. 45 (1): 26– 29. ISSN 1559-2715. van der Plaat, Deborah (2015). "Visualising the Critical: Artistic Convention and Eclecticism in Oscar Wilde's Writings on the Decorative Arts". Australasian Journal of Victorian Studies.