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Renaissance dances belong to the broad group of historical dances, specifically those during the Renaissance period. During that period, there was a distinction between country dances and court dances. Court dances required the dancers to be trained and were often for display and entertainment, whereas country dances could be attempted by anyone.
The most documented form of secular dance during the Middle Ages is the carol also called the "carole" or "carola" and known from the 12th and 13th centuries in Western Europe in rural and court settings. [2] It consisted of a group of dancers holding hands usually in a circle, with the dancers singing in a leader and refrain style while ...
Medieval music encompasses the sacred and secular music of Western Europe during the Middle Ages, [1] from approximately the 6th to 15th centuries. It is the first and longest major era of Western classical music and is followed by the Renaissance music; the two eras comprise what musicologists generally term as early music, preceding the common practice period.
1227–34 – A Play of Daniel with music is written at the school of Beauvais Cathedral. 1235–39 – Theobald I of Navarre , "Seignor, sachiés, qui or ne s’en ira" (chanson de croisade) 1239 – Theobald I of Navarre, "Au tens plain de felonie" (chanson de croisade)
The rising importance of foot troops, thus, brought not only the opportunity but also the need to expand armies substantially. Thus as early as the late 13th century, we can observe Edward I campaigning at the head of armies incorporating tens of thousands of paid archers and spearmen.
The key composers from the early Renaissance era also wrote in a late medieval style, and as such, they are transitional figures. Leonel Power (c. 1370s or 1380s–1445) was an English composer of the late medieval and early Renaissance music eras.
The music of the troubadors, who brought their lyrical, secular song into northern Italy in the early 13th century after they fled their home regions—principally Provence—during the Albigensian Crusade, was a strong influence, and perhaps a decisive one; many of the Trecento musical forms are closely related to those of the troubadours of ...
Played in churches and monastic schools until the 13th century A.D. [58] After 13th century the instrument declined, and fell into disuse in the 14th. [58] Outside of the church it was used for popular music and folk music, and later by beggars. [58] Initially a fiddle shaped instrument with a hand crank, which turned a wheel. [58]