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MXR co-founders Terry Sherwood and Keith Barr met as high school students at Rush-Henrietta Senior High School in Henrietta, New York, a suburb of Rochester, New York. . Together they started Audio Services, an audio repair business, where they repaired stereos and other music equipment in their rented basement apar
Mesa-Boogie "Mark IV", a guitar combo amplifier The Mesa/Boogie Mark Series is a series of guitar amplifier made by Mesa Engineering (more commonly known as "Mesa/Boogie"). "). Originally just referred to as "Boogies", the product line took on the moniker "Mark Series" as newer revisions were put into produ
The pedal also features an external effects loop) "Small Box" RAT (Bent steel U-shape enclosure) R2DU (19 inch rackmountable double RAT pedal, usable in cascade mode or dual channel) BRAT / Roadkill ('budget' USA-made RAT2 derivative circuit designed for Guitar Center including the Motorola LM308 opamp with LEDs in the negative-feedback loop.
An effects loop is a series of audio effects units, connected between two points of a signal path (the route that a signal would travel from the input to the output); usually between the pre-amp and power amp stages of an amplifier circuit, although occasionally between two pre-amp stages. The two principal uses of effects loops are in ...
Guitar feedback effects can be difficult to perform, because it is difficult to determine the sound volume and guitar position relative to a guitar amp's loudspeaker necessary for achieving the desired feedback sound. [112] [113] Guitar feedback effects are used in a number of rock genres, including psychedelic rock, heavy metal music and punk ...
DOD Electronics, or simply DOD, also known as their brand name DigiTech, is an American manufacturing company that makes guitar effects pedals, as well as active crossover gear. DOD is owned by Cortek, the parent company of Cort Guitars. Their DigiTech Whammy pedal has been called "one of the most significant innovations in pedal tech". [1]
Electro-Harmonix was founded by rhythm and blues keyboard player Mike Matthews in October 1968 in New York City with $1,000. [3] He took a job as a salesman for IBM in 1967, but shortly afterwards, in partnership with Bill Berko, an audio repairman who claimed to have his own custom circuit for a fuzz pedal, he jobbed construction of the new pedal to a contracting house and began distributing ...
The Langevin EQ-251-A, designed by Art Davis, was the first equalizer to use slide controls. [when?] It featured two passive equalization sections, a bass shelving filter, and a pass band filter. Each filter had switchable frequencies and used a 15-position slide switch to adjust cut or boost. The passive design required 14 dB of make-up gain. [9]
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