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Thomas Tallis set the first lesson, and second lesson, of Tenebrae on Maundy Thursday between 1560, and 1569: "when the practice of making musical settings of the Holy Week readings from the Book of Jeremiah enjoyed a brief and distinguished flowering in England (the practice had developed on the continent during the early 15th century)".
Lamentaciones de Jeremías Propheta (or Hieremiae Prophetae Lamentationes) is a choral work composed in 1946 by Alberto Ginastera while residing in the US on a Fulbright grant. [1] Rather than setting the lessons as prescribed by the liturgy of Tenebrae, the Latin text is freely selected from the Book of Lamentations.
Threni: id est Lamentationes Jeremiae Prophetae, usually referred to simply as Threni, is a musical setting by Igor Stravinsky of verses from the Book of Lamentations in the Latin of the Vulgate, for solo singers, chorus and orchestra.
Parchment manuscript showing the polyphonic setting by Carpentras of the Lamentations of Jeremiah.This was presented to Pope Clement VII around 1524.. Carpentras (also Elzéar Genet, Eliziari Geneti) (ca. 1470 – June 14, 1548) was a French composer of the Renaissance.
The Lamentations of Jeremiah, Opus 28 - for choir - SATBarBass (2012) Down with the Rosemary, Opus 22 - for choir and organ (2009) The Holly and the Ivy, Opus 18 - for choir (2008) Lo, how a rose e'er blooming, Opus 13 - for choir and organ (2006) I Will Sing to the Lord, Opus 16c - for choir and organ (2005)
Dedicated to Robert Stevenson, the book contains music for Holy Week and Lenten Salve services and includes four settings of the Passion and two unique settings of the Lamentations of Jeremiah the Prophet. Amongst the composers represented are Francisco Guerrero, Cristóbal de Morales, Hernando Franco and Pedro Bermúdez. In order to encourage ...
He wrote many masses, some of spectacular difficulty, most likely written for the expert papal choir; he wrote over 100 motets; and he wrote 18 settings of the Magnificat, and at least five settings of the Lamentations of Jeremiah (one of which survives from a single manuscript in Mexico). The Magnificats alone set him apart from other ...
Lamentations of Jeremiah I; Lamentations of Jeremiah II; Laudate Dominum; Loquebantur variis linguis (Responsory for Vespers) Miserere Nostri; O Nata Lux De Lumine (Hymn for Lauds) O Sacrum Convivium Antiphon for Magnificat) O Salutaris Hostia; Quod Chorus Vatum (Vespers hymn) Salvator Mundi (two versions) Salve intemerata virgo (Votive antiphon)