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Bayley was born in Pasadena, California [2] and grew up in the San Francisco Bay Area. She attended San Francisco State University for three years before dropping out in 1971. [3][1] She moved to London where she lived for three years, before moving to New York in the spring of 1974. [4]
No wave was an avant-garde music genre and visual art scene that emerged in the late 1970s in Downtown New York City. [ 4 ][ 5 ] The term was a pun based on the rejection of commercial new wave music. [ 6 ] Reacting against punk rock 's recycling of rock and roll clichés, no wave musicians instead experimented with noise, dissonance, and ...
A7 (bar) Coordinates: 40.7639°N 73.9817°W. A7 was a club in New York City that between 1981 and 1984, was a main location of the New York hardcore scene. The tiny space was located on the southeast corner of East 7th Street and Avenue A in Manhattan 's East Village. [1] The venue hosted fast punk bands such as The Stimulators and The ...
PUNK: Chaos to Couture [1] [2] is a 2013 non-fiction book by Andrew Bolton [3] (curator of the Costume Institute's exhibition), [4] [5] with an introduction by Andrew Bolton, [6] an introduction by Jon Savage, [2] and prefaces by Richard Hell [2] and John Lydon, [2] the "catalog of the exhibition held at the Metropolitan Museum of Art, New York, May 9 - August 14, 2013'.
The origins of New York's punk rock scene can be traced back to such sources as late 1960s trash culture and an early 1970s underground rock movement centered on the Mercer Arts Center in Greenwich Village, where the New York Dolls performed. [ 1 ] In early 1974, this early punk scene began to develop around the CBGB club, also in lower ...
Mudd Club plaque on building at 77 White Street, New York City. The Mudd Club was a nightclub located at 77 White Street in the TriBeCa neighborhood of Lower Manhattan in New York City. It operated from 1978 to 1983 as a venue for post punk underground music and no wave counterculture events. It was opened by Steve Maas, Diego Cortez and Anya ...
Ben Ratliff of The New York Times later wrote that Blank Generation "helped define punk, so we're often told, but it's much more than that: it's literary, romantic (boy-girl), Romantic (intellectual tradition) and, because of Robert Quine's guitar solos, intensely musical, an album of high-grade improvisation." [35]
In 1985, McPheeters grew active with the hardcore punk scene, producing several fanzines and organizing local concerts. After moving to New York City in 1987, he co-founded Born Against in 1989 and the Vermiform Records label in 1990. In 1993, he co-founded the Virginia-based band Men's Recovery Project, and in 2003, he co-founded the Los ...